关于新时期文艺学研究的若干思考

发布时间：2018-04-23 15:09

本文选题：关于 + 新时期　；参考：《西北师范大学》2004年硕士论文

【摘要】： 新时期的文艺学研究取得了显著的成绩，涉及不同维度、不同层面的多种多样的问题。本文主要从两个方面探究新时期文艺学研究的问题。一、关于新时期文艺学研究的背景。这部分内容论述了三个问题：1、时代背景。新时期我国社会开始转型，其总体特征是由封闭走向开放，由禁锢走向宽松，这为文艺学研究创造了良好的社会环境。2、哲学基本思想的演进。分别从哲学本体论和认识论两方面，概要论述了现代哲学基本思想的演进情况。指出当代哲学观念具有多元性；同时，颠覆了传统哲学的话语霸权，打破了传统哲学观念一统天下的格局。这为新时期的文艺学研究创造了良好的学术思想环境。3、西方文论的引进和当代文学的发展。我国当代文学的发展，打破了传统文学固有的一些创作模式，出现了一些新的创作景观，为新时期文艺学广泛深入的探讨提供创作的根据。西方文论的引进，活跃了新时期文艺学研究的思维，开拓了研究空间，直接推动了新时期文艺学的发展。总之，新时期文艺学研究的良好背景，是新时期文艺学发展的重要的原因之一。二、关于新时期文艺学研究的四个重要的理论问题。1、马克思主义文艺学的哲学基础。指出马克思主义哲学的核心思想是关于实践的思想。不少学者认为，实践观应成为马克思主义文艺学的哲学基础，它对于解决学界关于文学归属问题的争论，提供了一条新的思路。2、现实主义。阿多诺的否定性的哲学观和艺术观对认识和理解现实主义具有重要的启发意义。本文认为现实主义就是批判的现实主义，除此之外的现实主义都不是真正的现实主义。这一认识即合于艺术的本质规定，又有着文学史的根据。3、文学的存在方式。本文认为，把文学视为一种审美活动得到了许多学者的肯定，比较好地解决了文学的存在方式问题。但是以审美界定文艺存在特质的观点却值得商榷。4、概念的使用。文艺学中使用的一些重要概念，一直以来都有多种涵义。不同的学者往往在不同意义上使用它们。例如，本体、形式、理性、意识形态就是这样被使用的，，这在一定程度上造成了理论研究的混乱，是新时期文艺学研究存在的重要问题之一，需要进行清理和界定。三、总结。指出本文揭示了新时期文艺学发展的一些重要原因和存在的问题，重新解读了某些概念，并提出了一些建设性的意见，对于认识新时期文艺学研究的状况，推动当代文艺学研究的发展，建设中国的文艺学都具有重要意义。
[Abstract]:The study of literature and art in the new period has made remarkable achievements, involving a variety of problems of different dimensions and different levels. This paper probes into the problems in the study of literature and art in the new period from two aspects. First, the background of the study of literature and art in the new period. This part discusses three questions: 1, the background of the times. In the new period, the society of our country began to transform, its general characteristic is from closed to open, from imprisonment to loose, which has created a good social environment for the study of literature and art, and the evolution of the basic philosophy thought. This paper discusses the evolution of modern philosophy from two aspects of philosophical ontology and epistemology. At the same time, it overturns the discourse hegemony of traditional philosophy and breaks the pattern that traditional philosophy dominates the whole world. This has created a good academic thought environment for the study of literature and art in the new period, the introduction of western literary theory and the development of contemporary literature. The development of contemporary literature in our country has broken some of the inherent creative modes of traditional literature, and some new creative landscapes have emerged, which provide the basis for the extensive and in-depth discussion of literary and art studies in the new period. The introduction of western literary theory has activated the thinking of literary and art research in the new period, opened up the research space, and directly promoted the development of literature and art in the new period. In a word, the good background of literary and art research in the new period is one of the important reasons for the development of literature and art in the new period. Second, there are four important theoretical problems in the study of literature and art in the new period. 1. The philosophical basis of Marxist literature and art. It is pointed out that the core thought of Marxist philosophy is the thought of practice. Many scholars believe that the view of practice should become the philosophical basis of Marxist literature and art, which provides a new way of thinking. Adorno's negative view of philosophy and art has important enlightening significance for understanding and understanding realism. This article holds that realism is critical realism, except realism is not true realism. This understanding not only accords with the essence of art, but also has the basis of literary history. This paper holds that the view of literature as an aesthetic activity has been affirmed by many scholars and has solved the problem of the existence of literature. However, it is worth discussing the use of the concept of aesthetic definition of the characteristics of literature and art. Some important concepts used in literature and art have always had many meanings. Different scholars often use them in different senses. For example, Noumenon, form, rationality and ideology are used in this way. To a certain extent, this has caused confusion in theoretical research and is one of the important problems in the study of literature and art in the new period, which needs to be cleaned up and defined. III. Summary. This paper points out some important reasons and existing problems in the development of literature and art in the new period, reinterprets some concepts, and puts forward some constructive suggestions, so as to understand the present situation of the study of literature and art in the new period. It is of great significance to promote the development of contemporary literature and art research and to construct Chinese literature and art science.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I0

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