19世纪法国女艺术家的社会境遇

发布时间：2018-05-09 04:38

本文选题：女艺术家 + 克罗黛尔　；参考：《电影文学》2009年08期

【摘要】：本文通过比较,发现19世纪法国女艺术家的人生经历与艺术发展和克罗黛尔存在着许多的相似之处——自我怀疑、职业选择受阻、事业发展中对男艺术家有着不同程度的依附、画面题材选择受限……另一方面,她们同男艺术家相比,在"画什么"与"怎样画"上产生了差异。笔者认为这种境遇的相似与艺术表现的差异的产生并非偶然,是由客观——社会环境、伦理道德、已存的性别对照的定型概念与主观——相异性别的不同生理、心理体验、视觉感受两方面的原因共同构成的。然而,这种差异不应被视为艺术水平高低的依据。
[Abstract]:By comparison, it is found that there are many similarities between the life experience of French female artists in the 19th century and the development of art and Krodell-self-doubt, blocked career choices, and varying degrees of dependence on male artists in their career development. The choice of theme is limited. On the other hand, they differ from male artists in what they paint and how. The author thinks that the similarity of this kind of circumstances and the difference of artistic expression are not by accident, but by the objective social environment, ethics and morality, the existing stereotyped concept of sex contrast and the different physiological and psychological experience of subjective and different sex. The two reasons of visual perception are combined. However, such differences should not be regarded as the basis for the level of art.
【作者单位】：临沂师范学院美术学院;
【分类号】：J156.5

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