太阳原型意象的历史嬗变

发布时间：2018-06-10 06:46

本文选题：太阳 + 原型意象　；参考：《山东师范大学》2005年硕士论文

【摘要】：太阳作为与人类的生存和生活最为密切的自然物之一,从人类诞生之初,便引起了原始先民的好奇、关注与探索。从抽象的岩画纹饰到雄浑壮观的埃及金字塔,从端坐神坛的神灵到文人墨客笔下的黄昏落日,无不或隐或显地显示出太阳的影子。历代的思想家、哲学家、艺术家都对太阳投入了极大的热情,并将其表现于各种类型的艺术形式中,从而形成了内容丰富、含义深刻的太阳原型意象。时至今日,古老的太阳原型意象仍然拥有着强大的生命力,不断地根据时代的变迁与发展衍生出更丰富的、更具时代风貌的含义。本文沿着太阳原型意象在人类认识发展的不同阶段的发展轨迹,结合人类与太阳关系的演化过程,论述了太阳原型意象在岩画、神话传奇、建筑、文字、诗歌、小说等艺术表现形式的发展规律及其内涵,并注意进行横向的(不同国家地区)和纵向的(不同历史时期)比较,试图由此探讨太阳原型意象的文化内涵及其独特的审美特质。论文主要有以下几个部分构成: 第一部分是神化的太阳,即对于太阳原型意象的历史渊源、审美特质的解析。远古时代的人类对太阳的强烈依赖以及由此形成太阳崇拜,奠定了太阳原型意象的产生基础,由此决定了其在最初产生阶段所不可避免的神化色彩。同时由于太阳自身所具有的独特的审美特质,使太阳意象在人类的想象中逐渐衍生出更多更广泛的含义,并渗透到多种艺术表现形式中。第二部分是人化的太阳,详细地分析了阶级社会产生后,太阳原型意象政治化、伦理化意义的生成原因及特点。伴随着原始自然崇拜的解体和阶级社会的出现,太阳原型意象人格化特征愈加凸现,“天之神,日为尊”的认识与君王的独断地位存在的异质同构关系使“帝王”和“权力”成为“日”的主要意象之一,在以后漫长的时期中逐渐地转化成了深层的民族集体无意识,并不断地被后人继承与创新,产生出一系列的相关意象与意象群。第三部分是诗化的太阳,从太阳的自然属性、伦理属性、情感属性及伦理象征属性全面分析了中国古典诗歌中太阳意象的主要含义及审美特点,并通过总结西方文学作品中太阳意象的特点,由此分析中西方思维方式的相似与差异性问题。
[Abstract]:The sun, as one of the closest natural objects to human existence and life, has aroused the curiosity, concern and exploration of the primitive ancestors from the beginning of human birth. From abstract lithographic ornaments to the magnificent Egyptian pyramids, from the gods sitting on the altar to the sunset in the writings of the literati, the shadow of the sun is revealed. The thinkers, philosophers and artists of all dynasties have devoted great enthusiasm to the sun and expressed it in various types of art forms, thus forming a rich and profound image of the prototype of the sun. To this day, the ancient archetypal image of the sun still has a strong vitality, and continues to derive more abundant according to the changes and development of the times. According to the development track of the archetypal image of the sun in different stages of the development of human cognition and development, combined with the evolution process of the relationship between human beings and the sun, this paper discusses the archetypal image of the sun in rock painting, mythology and legend, architecture, writing, etc. The development law and connotation of artistic expressions such as poetry and fiction, and pay attention to the horizontal (different countries and regions) and vertical (different historical periods) comparison, This paper attempts to explore the cultural connotation of the archetypal image of the sun and its unique aesthetic characteristics. The thesis mainly consists of the following parts: the first part is the deification of the sun, that is, the historical origin of the archetypal image of the sun, the analysis of the aesthetic characteristics of the archetypal image of the sun. The strong dependence of human beings on the sun in ancient times and the formation of solar worship have laid the foundation for the formation of the archetypal image of the sun, which determines its inevitable divinity in the initial stage. At the same time, because of the unique aesthetic characteristics of the sun itself, the image of the sun gradually derives more and more extensive meanings in the human imagination, and permeates into various artistic expressions. The second part is the humanized sun. After the emergence of class society, the causes and characteristics of the political and ethical meaning of Sun archetypal image are analyzed in detail. With the disintegration of primitive natural worship and the emergence of class society, the personification of the image of the archetype of the sun has become more and more prominent. The heterogeneous and isomorphic relationship between the recognition of "respect for the day" and the arbitrary position of the monarch made "emperor" and "power" one of the main images of "day", and gradually transformed into the deep national collective unconscious in the long period afterwards. The third part is the poetic sun, from the natural attributes of the sun, ethical attributes, This paper analyzes the main meaning and aesthetic characteristics of the sun image in Chinese classical poetry, and summarizes the characteristics of the sun image in the western literary works. This paper analyzes the similarities and differences between Chinese and western thinking modes.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I04

【引证文献】