论哈贝马斯关于审美领域规范性基础的阐释——兼及文艺学规范性之反思

发布时间：2018-06-12 23:07

本文选题：哈贝马斯 + 审美领域　；参考：《四川大学学报(哲学社会科学版)》2010年01期

【摘要】：检视哈贝马斯关于审美领域规范性基础的阐释,进而反思文艺学规范性这一知识学得以展开的可能性。审美领域在现代拥有自身的规范性基础,因此可以用形式语用学加以阐释,但是它本身所具有的复杂性、模糊性和悖论性,使得其内在地违背普通语言的惯例,逃脱日常言语行为的以言行事力量之掌控。因而立足于现代审美领域的文艺学既拘宥于话语的价值合理性,又要应对"无言之美"的微妙灵韵,文艺学规范性基础的思考理应聚焦于这两者之间的连接点。
[Abstract]:This paper examines Habermas' explanation of the normative basis of aesthetic field, and then reflects on the possibility of the development of the intellectual science of the standardization of literature and art. The aesthetic field has its own normative foundation in modern times, so it can be explained by formal pragmatics, but its complexity, fuzziness and paradox make it intrinsically go against the convention of common language. To escape the power of words, deeds, words and deeds of everyday speech. Therefore, literature and art, based on modern aesthetic field, should not only confine itself to the value rationality of discourse, but also deal with the subtle rhyme of "beauty without words", so the thinking of the normative basis of literature and art should focus on the connection point between the two.
【作者单位】：四川大学文学与新闻学院;
【基金】：国家社科基金项目青年项目“布达佩斯学派重构美学思想研究”(07cww001) 四川大学青年学术人才基金(2008-2012)成果
【分类号】：I06

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