论文学翻译——兼评《傲慢与偏见》三个中译本

发布时间：2018-06-13 01:22

本文选题：文学翻译 + 翻译批评　；参考：《山东师范大学》2004年硕士论文

【摘要】：在对文学翻译的特点、标准和原则，基本翻译策略以及翻译批评论述的基础上，本文对《傲慢与偏见》的三个中译本在内容、语言和风格再现方面进行了批评研究。一方面，，本文试图通过对三个译本因采取不同翻译策略和翻译方法而产生的在内容、语言和风格再现方面的得与失的分析进一步论述了文学翻译的基本问题；另一方面也希望通过勘正三个译本中的误译之处，为提高译本的质量贡献一份锦薄之力。论文分六章。第一章论述了文学翻译的特点、标准和原则、基本翻译策略以及文学翻译批评的实践意义。翻译是艺术再创造，文学翻译的特点就在于其文学性。小说翻译因其较诗歌翻译缺少形式限制，译者更容易陷入仅局限于内容翻译的误区。通过对文学翻译的综述，此章明确了以刘重德的“信、达、切”作为译本评析的翻译标准以及语言层次以直译为主，文化层次以异化为主的基本翻译方法。第二章论述了翻译批评对文学翻译的建设性意义。翻译批评首先可以通过对译本的比较再现不同译本翻译的优劣得失，为读者选择优秀译本提供依据，其次，翻译批评通过对不同的译者如何运用相同或不同的手段处理同一语言现象，达到相同或不同的效果的评析，深入地探讨翻译的策略和方法，对翻译理论的建设具有重要意义。再者，翻译批评有助于译本本身的改进和质量的提高。第三章简要分析了《傲慢与偏见》的主题、风格及作者的创作意图。因为只有在文学批评的基础上，翻译批评才能有效地进行。译者只有充分理解原著的主题，风格及原作者创作意图，才能忠实地再现原作。同样，只有以原作为依据，对译作的评析才能有的放矢，令人信服。因为只有在文学批评的基础上，翻译批评才能有效地进行。译者只有充分理解原著的主题，风格及原作者创作意图，才能忠实地再现原作。同样，只有以原作为依据，对译作的评析才能有的放矢，令人信服。第四章用详实的例子评析了三个译本在内容方面翻译的得失。就内容而言，忠实与否是判断译文好坏的根本前提。忠于原文内容不仅仅指忠于原文的故事情节，还应忠于原文所承载的异域文化信息。因此，译本中无论是由语法和语境产生的误译，还是由文化意识缺失甚至错位产生的漏译、误译，本文作者都尽力而为地一一作了勘正。第五章就语言在“精确、鲜明、生动、自然”四个方面对原语言艺术性的再现得失，作者做了举例说明。此外，借助译本中的实例，还对分别属于形合和意合句法特点的英汉两种语言转换过程中引发的问题作了探讨。第六章探讨了风格再现的问题。就风格而言最重要的是能够保持原著的风格神韵，而风格的再现依赖于对原文用词，句法，修辞等艺术手段的模仿。简·奥斯丁的语言是精心挑选的，其用词往往微言大义，意味深长。恰如其分地再现原词义的力度和色彩对风格的再现十分重要。句法是作者表现风格常用的手段，特别的句法具有特殊的文学性和审美意义。最大程度地保持原作的句法特点是再现原著风格的最重要的方式。修辞手段同样具有表现风格的作用。就简·奥斯丁的风格而言，高潮突降和正话反说是其突出的特点。关键词:文学翻译;翻译批评;内容;语言;风格
[Abstract]:On the basis of the characteristics of literary translation, standards and principles, basic translation strategies and translation criticism, this paper makes a critical study of the content, language and style reproduction of the three Chinese versions of pride and prejudice. On the one hand, this article attempts to produce the three translations by adopting different translation strategies and methods of translation. The analysis of the gains and losses in the content, language and style reproduction further discusses the basic problems of literary translation; on the other hand, it also hopes to improve the quality of the translation by correcting the Mistranslation of the three translations.
The paper is divided into six chapters.
The first chapter discusses the characteristics, standards and principles of literary translation, the basic translation strategy and the practical significance of literary translation criticism. Translation is a re creation of art. The characteristics of literary translation lie in its literariness. A summary of literary translation, this chapter clarifies the translation criteria of Liu Zhongde's "letter, Da, and cut" as an interpreter, as well as the basic translation method in which the level of language is mainly literal, and the cultural level is dominated by alienation.
The second chapter discusses the constructive significance of translation criticism to literary translation. Translation criticism can first be used to reproduce the advantages and disadvantages of different translations by comparing the translations, and provide the basis for the readers to choose excellent translations. Secondly, translation criticism can deal with the same language phenomenon by using the same or different means by different translators. In the analysis of the same or different effects, it is of great significance to explore the strategies and methods of translation in depth. Furthermore, translation criticism helps the improvement of the translation and the quality of the translation itself.
The third chapter briefly analyzes the theme, style and author's creative intention of "Pride and Prejudice", because only on the basis of literary criticism can translation criticism be carried out effectively. Only when the translator fully understands the theme, style and original author's intention can the translator reappear the original work. Only on the basis of literary criticism, translation criticism can be carried out effectively only on the basis of literary criticism. Only when the translator fully understands the theme of the original, the style and the original author's creative intention can the translator be faithful to the original work.
The fourth chapter makes a detailed analysis of the gains and losses of the translation in the content of the three versions. In terms of content, faithfulness or not is the fundamental prerequisite for judging the quality of the translation. The content of the original is not only the plot of the original text, but also the foreign cultural information carried by the original text. Therefore, the translation is produced by the grammar and context. Mistranslation is still a misinterpretation and misinterpretation of cultural awareness.
And the ground was corrected.
The fifth chapter talks about the artistic nature of the original language in four aspects: "accuracy, vividness, vividness and nature".
The author made an illustration of the gains and losses. In addition, with the help of examples in the translation, they also belong to hypotaxis and meaning.
The problems arising from the conversion of the two languages in syntactic features are discussed.
The sixth chapter discusses the problem of style reproduction. In terms of style, the most important thing is to keep the original style.
The reappearance of style depends on the imitation of the artistic means such as diction, syntax and rhetoric.
Stin's language is carefully chosen, and its words are often meaningless and meaningful.
The intensity and color of words are very important to the reproduction of style.
Other syntactic structures have special literary and aesthetic significance. To maintain the syntactic feature of the original is to reproduce the greatest extent.
The most important way of the original style. Rhetorical devices also play the role of expressive style. Jan Austin's
In terms of style, the climax and the right words are the prominent characteristics.
Key words: literary translation; translation criticism; content; language; style.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I046

【共引文献】