中国文学中的陌生化理论及实践举隅

发布时间：2018-06-13 15:41

本文选题：陌生化 + 突出　；参考：《学术交流》2011年09期

【摘要】：俄国形式主义提出的陌生化理论,有其重要的价值,但也有片面性。俄国形式主义认为文学语言不同于普通语言,其特征在于反常、突出、新奇和变形,这对我们重新重视和审视文学语言,有其重要的启示作用。但它认为文学的本质只在语言,不在形象,却是矫枉过正。事实上,陌生化不只是技巧、语言层面的。陌生化可以理解为文学语言和文学形象乃至文学意蕴诸层面的本质,即文学语言是陌生化的,文学形象也应该是陌生化的。自然,文学意蕴也应该新、深、奇,即也要陌生化。因为文学文本中的"言—象—意"是不可分离的。以"三李"等人的创作为例,可考察中国文学对陌生化的运用。梳理中国古代关于陌生化的论述,归纳陌生化的表现方式,可见凡是在语言和形象上有所创新,都可以理解为陌生化。简言之,陌生化就是文学的创造性。对陌生化也应该辩证地理解:陌生化是奇与正对立统一的关系,不能一味求奇,为奇而奇,还要平中见奇,奇中寓正。
[Abstract]:The defamiliarization theory put forward by Russian formalism has its important value, but it also has one-sidedness. Russian formalism holds that literary language is different from ordinary language, and its characteristics lie in anomaly, prominence, novelty and deformation, which has important enlightenments for us to re-value and examine literary language. But it thinks that the essence of literature is only language, not image, but overcorrection. In fact, strangeness is not just technical, linguistic. Defamiliarization can be understood as the essence of literary language, literary image and even literary connotation, that is, literary language is defamiliarized and literary image should also be defamiliarized. Natural, literary implication should also be new, deep, strange, that is, also should be defamiliarized. Because the word-image-meaning in the literary text is inseparable. Taking San Li et al.'s creation as an example, the use of strangeness in Chinese literature can be examined. Combing the ancient Chinese exposition on defamiliarization and summing up the expression of defamiliarization, we can see that any innovation in language and image can be understood as strangeness. In short, strangeness is the creativity of literature. Strangeness should also be dialectically understood: strangeness is the relationship between strangeness and the unity of opposites.
【作者单位】：延安大学政法学院;
【分类号】：I045

【共引文献】