川端康成与张爱玲比较研究

发布时间：2018-06-15 06:03

本文选题：川端康成 + 张爱玲　；参考：《中央民族大学》2011年硕士论文

【摘要】：川端康成与张爱玲作为东方国度的日本与中国的两位著名文学作家,在各自营造的文学世界中表现出传统与现代、东方与西方相结合的相似性。在文学全球化的语境之下,对这两位同在20世纪产生厂泛影响的中日作家进行比较研究,具有明显的文学意义。本论文主要采用平行研究的方法,从两位作家艺术世界的类似性入手,深入发掘并探讨他们在取材趋向、思想感情、精神境界、艺术特征、审美追求上的共通性和差异性。第一章论述两位作家在题材内容、主题思想上的特点,分析他们在题材上具有疏远于社会性主题而专注于男女情爱的相似性；但在主题思想上,两位作家的作品却表现出不同的倾向,川端康成的虚无思想与西方现代文学精神相异,而张爱玲的虚无思想则与西方现代文学精神相通。第二章比较研究作品的艺术特征,论述两位作家在创作技巧上都擅于弗洛伊德精神分析,并都擅于运用“新感觉派”手法；但他们的作品却呈现出不同的情节特征和文体特征,川端康成因为不重视情节,他的小说呈现出散文化、抒情性的特征,而张爱玲的小说情节性很强,呈现出戏剧化、叙事性的特征。第三章对审美风格进行比较研究,联系作家的身世经历和生命体验论述二者的作品中体现的悲剧意蕴；同时注重差异性研究,分析比较川端康成的“悲美”风格与张爱玲的“悲凉”风格在美学思想上的差异,论述川端康成向我们展现了人情之美,而张爱玲却向我们展现了人性之恶。由于受中日各自传统文化与文学的影响,川端康成与张爱玲在吸收借鉴西方现代文学方面存在明显差异,他们的共同之处在于,都成功地找到了一条传统与现代、东方与西方的融合之路,并在融合中创造了一流水平的文学作品。
[Abstract]:Kawabata Yasunari and Zhang Ailing, as two famous writers of Japan and China in the oriental country, show the similarity of tradition and modernity and the combination of East and West in their literary world. In the context of the globalization of literature, it is of obvious literary significance to make a comparative study of these two writers in China and Japan, who also had a pan-influence in the 20th century. This paper mainly adopts the parallel research method, starts with the similarity of the two writers' artistic world, deeply explores and discusses their commonality and difference in the selection trend, the thought and emotion, the spiritual realm, the artistic characteristic, the esthetic pursuit. The first chapter discusses the characteristics of the two writers in the subject matter content, theme thought, and analyzes their similarities in the subject matter, which are alienated from the social theme and focused on the love between men and women, but in the theme thought, However, the works of the two writers show different tendencies. Kawabata Yasunari's nihilism is different from the western modern literary spirit, while Zhang Ailing's nihilism is related to the western modern literary spirit. The second chapter compares the artistic characteristics of the works, and discusses that both writers are good at Freud psychoanalysis and the use of "New sensationalism" in their creative skills, but their works show different plot characteristics and stylistic features. Kawabata Kangcheng's novels show the characteristics of prose culture and lyricism, while Zhang Ailing's novels show dramatic and narrative features because they do not attach importance to the plot. The third chapter makes a comparative study of aesthetic style, discusses the tragic implication in the works of the writer's life experience and his life experience, and pays attention to the difference research at the same time. This paper analyzes and compares the aesthetic differences between Kawabata Kangcheng's "sad beauty" style and Zhang Ailing's "sad" style, and discusses that Kawabata Yasunari shows us the beauty of human feelings, while Zhang Ailing shows us the evil of human nature. Because of the influence of Chinese and Japanese traditional culture and literature, Kawabata Yasunari and Zhang Ailing have obvious differences in absorbing and drawing lessons from western modern literature. What they have in common is that they have successfully found a tradition and a modern one. The integration of the East and the West, and in the integration of the creation of first-class literary works.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I0-03;I106

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