论当下中国文艺理论研究方法论的重构

发布时间：2018-07-06 08:32

本文选题：文学理论 + 困境　；参考：《中州学刊》2009年02期

【摘要】：20世纪90年代以来,伴随着西方不断涌现出的新观点、新理论、新思潮的影响,作为"文艺学"和"美学"这些特定理论学科的研究者逐渐陷入一种空前的"困境"之中。如对文学理论研究对象理解的模糊,文学理论自身对新出现的文学体裁、文学现象解释能力的弱化,文学理论研究遭到了以"文化研究"为代表的新的研究范式的冲击与挑战等。理论"标新"意识的盛行、文本"解构"情绪的张扬以及主体"超我"关怀的下降都不同程度地加剧了文学理论自身的"困境"。因此,在当下形势中重构文学理论研究的方法论便成为必然之举。只有在坚持"综合创新"的辩证原则下,探讨文学理论自身的转型问题,通过理论研究者与大众接受群体的双边努力,才有可能使文学理论走出"困境",走向科学的发展道路。
[Abstract]:Since the 1990s, with the continuous emergence of new ideas, new theories and new thoughts in the West, as a special theoretical subject of "literature and art" and "aesthetics", researchers have gradually fallen into an unprecedented "dilemma". Such as the vague understanding of the object of literary theory research, the weakening of literary theory's ability to explain the new literary genre and phenomenon, The study of literary theory has been challenged and challenged by the new research paradigm represented by Cultural Studies. The prevalence of the consciousness of "standard new", the spreading of the "deconstruction" emotion of the text and the decline of the subject's "superego" concern have aggravated the "predicament" of the literary theory in varying degrees. Therefore, it is inevitable to reconstruct the methodology of literary theory research in the present situation. Only by adhering to the dialectical principle of "comprehensive innovation" and exploring the transformation of literary theory itself, and through the bilateral efforts of the theoretical researchers and the masses to accept the group, it is possible to make the literary theory get out of the "dilemma" and move to the road of scientific development.
【作者单位】：山东大学文艺美学研究中心;
【分类号】：I0

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