文学语言美学特征修辞论

发布时间：2018-07-22 15:59

【摘要】： 本文运用语言学、修辞学与美学、符号学、人类学、哲学、心理学、逻辑学等学科相结合的理论和方法，打通了文学和语言学，以语言学理论来解决文学问题，又用美学等其他学科的理论来解决语言问题，并以语言为本位，立足于修辞学的立场，从生成和接受两大维度，系统地研究了文学语言特别是诗歌语体美学特征的言语策略。论文提出了一个全新的文学语言理论体系，有较大的理论认识和语文实践价值。第一章引论部分重点阐述了与论文相关的一些基本概念，并在前人研究的基础上提出了自己的见解。同时还阐述了论文的研究对象及其理论意义，关于文学语言美学特征修辞学研究综述，论文研究的原则、方法、基本思路及语料来源。第二章探讨了文学语言节律美的言语策略。从语词、句子、语段、篇章的不同层面探研了文学语言节律的审美呈现形式。并运用汉语节律学的最新研究成果对其进行了科学的阐释。第三章探讨了文学语言意象美的言语策略。以辞格研究和文学意象研究中的薄弱环节——辞格意象为重点探讨对象。选择了列锦意象、对比意象、通感意象、比喻意象，阐释了其言语呈现策略，并借鉴认知科学中的相似理论探讨了比喻意象的认知功能，指出比喻意象一开始就是人们认识世界的基本方式之一。第四章探讨了文学语言模糊美的言语呈现策略。我们是从科学哲学的高度来认识自然语言的模糊性的。关于文学语言模糊美的言语呈现策略，我们主要研究了由违反逻辑的言语策略来营构的模糊美；在众多的具有模糊审美功能的辞格中选择了比喻和用典作为重点解剖对象。同时，，还研讨了由缺省和对词语理性意义的偏离而形成的模糊审美。 “结语”在前几章论述的基础上，对论文研究的理论收获进行了小结，并指出存在的问题和有待完善之处。
[Abstract]:In this paper, the theory and method of combining linguistics, rhetoric and aesthetics, semiotics, anthropology, philosophy, psychology, logic and other disciplines has been used to solve literature and linguistics, to solve literary problems in linguistic theories, and to solve language problems with other theories of aesthetics, language as the standard and based on Rhetoric. From the two dimensions of generation and acceptance, this paper systematically studies the language strategies of literary language, especially the aesthetic features of poetic style. The thesis puts forward a new system of literary language theory, which has great theoretical understanding and Chinese practical value.
The first chapter of the first chapter focuses on some basic concepts related to the thesis, and puts forward his own views on the basis of the previous research. At the same time, it also expounds the research object and theoretical significance of the thesis, a summary of the rhetorical research on the aesthetic characteristics of literary language, the principles, methods, basic ideas and source of the corpus.
The second chapter probes into the speech strategies of the rhythmic beauty of literary language. From the different levels of words, sentences, paragraphs and texts, the aesthetic representation of the rhythms of literary language has been explored.
The third chapter discusses the language strategies of the beauty of the literary language. It focuses on the research and the weak link in the study of the figures of speech, the image of the figures of speech, and chooses the image of the column brocade, the contrast image, the synaesthesia image and the figurative image, and explains the speech presentation strategy, and discusses the metaphor with the similar theory in the cognitive science. The cognitive function of imagery points out that metaphorical imagery is one of the basic ways for people to understand the world at the very beginning.
The fourth chapter discusses the verbal presentation strategy of the vague beauty of literary language. We understand the vagueness of the natural language from the height of the philosophy of science. Metaphors and allusions are chosen as the key anatomical objects in the case. At the same time, fuzzy aesthetics formed by the default and deviation from the rational meaning of words is discussed.
On the basis of the previous chapters, epilogue summarizes the theoretical harvest of the research and points out the existing problems and the problems to be improved.
【学位授予单位】：复旦大学
【学位级别】：博士
【学位授予年份】：2003
【分类号】：I01

【引证文献】