论审美惯性

发布时间：2018-07-27 21:43

【摘要】：审美惯性研究是在文化研究背景下对社会习俗的审美化特性的探讨。社会习俗或社会习性是人的确认的一个主要因素。惯性是人的社会构成和社会交流中的一个重要方面，它既是人的继承的结果，也是结果传递的方法。因此从惯性的角度，既可以研究个体的人，也可以研究群体的人；既可以研究其共时结构，也可以研究其历时特性，以及共时历时交互的模式；既可以研究人的群体理性因素，也可以研究人的感性情感因素，并将所有这些因素集中于审美的方面，在审美的基础上通贯进行。这样，既可以将文化的大问题缩小化，也可以将美学的问题具体化，并通过这一角度透视出审美的某些特性。惯性是物理学上的一个概念，是指事物运动发展的静止性、稳定性和连续性。本文把这一概念纳入意识来考察并从社会和审美两个意义层次上展开论述。社会意义层次上的惯性是指在长期的历史时期，人类依据各自的自然地理因素和生活方式而形成的，具有规律性、制约性和传统性的个体习惯、社会习俗和社会意识。审美意义层次上的惯性，则是基于社会习俗或社会习性，包含有人类的行为、思想、观念等各方面的内涵，，具有一定的意识内涵性、形式性、情感性、无意识的强迫性、科学性和虚妄性，以及一定的历史渊源和未来指向的审美习性和审美规则。本文试图从整体性的美学角度，把惯性上升到审美范畴，将审美惯性系统化，并对审美惯性做意识的结构性分析和历史的演进式分析，较全面地探讨惯性的美学意义。其中重点探讨审美惯性的共时模式、历时特性和共时历时交互模式。本文与其它有关研究的不同之处是：第一，突出了审美惯性的整体性和范畴意义，强调了审美惯性的心理层次、思维层次以及形式层次。在思维层次中，本文从其支撑性、稳定性和控制性等方面分析了审美惯性的意识特性，这是对前人仅仅把惯性作为一般社会习俗、规则的思维意义、审美意义上的挖掘。在形式层次上，本文强调了审美惯性的内形式和外形式。第二，从审美惯性要素的变异、审美惯性变异的惰性剔除、审美惯性定势等方面，对审美惯性的历时变异性作了较详尽的分析。特别是本文提出的审美惯性定势，可使我们更好论审美惯性地认识美学史中的许多问题，尤其是从另外一个角度认识德国古典哲学、美学以及其它审美现象。对审美惯性中的惰性因素，也从变异的角度对其自身的剔除功能作了一定的阐释。第三，较系统地阐述了审美惯性的共同性、独立性和交流结构，对审美惯性在全球化背景下的冲突、融合等某些现实问题作了美学意义上的探讨。关键词:审美惯性;共时结构;历时特性;共时历时交互模式分类号:B83一069 上
[Abstract]:The study of aesthetic inertia is a study of the aesthetic characteristics of social customs under the background of cultural studies. Social customs or social habits are a major factor in the recognition of people. Inertia is an important aspect of human social composition and social communication. It is both the result of human inheritance and the method of transfer of results. Therefore, the angle of inertia is from the angle of inertia. It can study both the individual and the people of the group; it can study both the synchronic structure, the diachronic characteristics, and the mode of synchronic interaction. It can not only study the rational factors of people, but also study the emotional factors of human beings, and concentrate all these factors on the aesthetic aspect and the aesthetic aspect. In this way, we can not only reduce the big problems of culture, but also make the aesthetic problems concretely, and see some aesthetic characteristics through this angle.
Inertia is a concept in physics, which refers to the stillness, stability and continuity of the development of the movement of things. This article puts this concept into the consciousness to discuss and discuss from the two levels of social and aesthetic significance. The inertia of the social meaning is that in a long historical period, human beings are based on their respective natural geographical factors and life. The individual habits of regular, restrictive and traditional individuals, social customs and social awareness. The inertia on the level of aesthetic meaning is based on social customs or social habits, including the connotations of human behavior, ideas, ideas and other aspects, with a certain sense of intension, formality, emotion and unconsciousness. Compulsive, scientific and false, and certain historical origins and future aesthetic habits and aesthetic rules.
This article tries to raise the inertia into the aesthetic category from the holistic aesthetic point of view, systematize the aesthetic inertia, and analyze the aesthetic inertia by the structural analysis and the historical Evolutional Analysis, and discuss the aesthetic significance of the inertia in a more comprehensive way. The differences between this study and other related studies are: first, the holistic and categorical significance of aesthetic inertia is highlighted, the psychological level of the aesthetic inertia, the level of thinking and the form level are emphasized. In the thinking level, this article analyses the consciousness characteristics of aesthetic inertia from the aspects of its support, stability and control, which is only to the predecessors. Taking inertia as a general social custom, the thinking meaning of the rule and the excavation of aesthetic significance. On the form level, this article emphasizes the internal and external forms of the aesthetic inertia. Second, the variation of the aesthetic inertia elements, the inert elimination of the aesthetic inertia variation, the aesthetic inertia and so on, is more detailed in the diachronic variability of the aesthetic inertia. All the analysis, especially the aesthetic inertia set put forward in this paper, can make us better.
On the aesthetic inertia
To understand many problems in the history of aesthetics, especially from another angle to understand German classical philosophy and aesthetics.
As well as other aesthetic phenomena, the inertia factors in the aesthetic inertia are also chosen from the perspective of variation.
In addition, the function has been explained in a certain way. Third, the commonality and independence of aesthetic inertia are systematically expounded.
The structure of communication has made some esthetic problems in some practical problems, such as the conflict and integration of aesthetic inertia under the background of globalization.
A meaningful discussion.
Key words: Aesthetic inertia; synchronic structure; diachronic characteristics; synchronic and diachronic interaction mode.
Classification number: B83 069
uppe
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I01

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