中国艺术表达中的“隐喻”传统与历史写作——兼谈开拓“隐喻史”研究的重要性

发布时间：2018-08-01 08:58

【摘要】：无论在鼎革时期还是在相对常态的历史环境中,士人都存在着难以用通行文字表达的思想和情绪,他们往往通过各种艺术形式如诗词、书法、绘画、碑刻等隐晦地表达某种内心感受,但对于历史学者而言,常常会发现其表面的陈述和隐藏的深意互不一致,甚至截然相反,只有通过细致的解读才能洞悉其真义,从而丰富我们对历史真相的认识。通过对以往"思想史"、"社会史"和"文化史"研究方法的反思和批评,初步提出了建立"隐喻史"研究路径的构想,并从明末遗民如何借助描摹景物完成气节书写,唐宋士人诗词中反映出的游离与回归宦场的复杂情绪,以及清朝皇帝如何通过绘画隐示自身获得统治合法性等几个方面探讨了拓展"隐喻史"研究的可行性。
[Abstract]:Both in the period of the Great Revolution and in the relatively normal historical environment, the scholars had ideas and emotions that were difficult to express in the common words. They often used various forms of art, such as poetry, calligraphy, painting, Inscriptions and other obscure expressions of a certain inner feelings, but for historians, often find its surface statements and hidden deep meaning is inconsistent, or even diametrically opposed, only through careful interpretation of its true meaning can be discerned. So as to enrich our understanding of the historical truth. Through the introspection and criticism of the research methods of "History of thought", "History of Society" and "History of Culture", this paper puts forward the idea of establishing the research path of "History of metaphor", and from the end of Ming Dynasty, how to complete the writing of spirit by means of depicting scenery. This paper discusses the feasibility of expanding the study of "metaphor history" from the aspects of the complicated emotions reflected in the poems of the scholars in Tang and Song dynasties and the complex emotion of returning to the official field, and how the Qing Dynasty emperor acquires the legitimacy of his rule through painting.
【作者单位】：中国人民大学清史研究所;
【基金】：中国人民大学985工程新时期经费的资助
【分类号】：J120.9

【共引文献】