中国双年展策划人制度的现状评析
发布时间：2018-08-03 11:42
【摘要】：西方的艺术双年展已有百余年历史,策划人制度的出现是建立在总结历届的双年展的成功和失败经验的基础上,并在大量的实践中逐步改进,形成了相对完善的体制规范。中国的艺术双年展起步不到十年,虽然已经出现了引进西方规范和创造本土经验相结合的可贵苗头,但也存在着体制不健全的诸多问题,其中策划人制度就是需要认真研究的课题。 本文主要是结合两个最有代表性的大型官方美术双年展的策划实践,论述中国双年展策划人制度在实行过程中的异同优劣。通过论述什么是有价值的双年展,什么是真正意义上的策划人,什么是相对规范的策划人制度,进一步指出策划人制度在中国艺术双年展上应用时获得的经验和存在的问题。正文一共分为三部分:第一部分通过对国内外重要的艺术双年展的评述,理清关于双年展策划人制度的基本情况,旨在阐明策划人制度中一些基本的概念和良性的运作机制;第二部分以上海双年展、北京双年展为例,对国内双年展策划人制度的现状进行描述和评析;第三部分对中国双年展策划人应有的基本素质以及中国双年展的基本价值取向等等做出进一步思考;最后为结论。
[Abstract]:The western art biennale has a history of more than 100 years. The emergence of the planner system is based on summing up the successful and failed experiences of the previous biennial exhibitions, and has been gradually improved in a large number of practices, forming a relatively perfect system standard. The art biennale in China started less than a decade ago. Although there have been valuable signs of combining the introduction of western norms with the creation of local experience, there are still many problems with imperfect systems. Among them, the planner system is the subject that needs to be studied seriously. Combined with the planning practice of the two most representative official art biennials, this paper discusses the similarities and differences of the Chinese biennale planner system in the process of implementation. By discussing what is a valuable biennial exhibition, what is a real planner and what is a relatively standard planner system, this paper further points out the experience and existing problems in the application of the planner system in Chinese Biennale of Art. The text is divided into three parts: the first part through the domestic and foreign important art biennial exhibition comments, clarifies the basic situation about the biennial exhibition planner system, in order to clarify some basic concepts and the benign operation mechanism in the planner system; The second part takes Shanghai Biennale and Beijing Biennale as examples to describe and evaluate the present situation of domestic biennial exhibition planner system. The third part makes further thinking about the basic qualities of the planners and the basic value orientation of the China Biennale, and finally the conclusion.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J124
本文编号：2161635
[Abstract]:The western art biennale has a history of more than 100 years. The emergence of the planner system is based on summing up the successful and failed experiences of the previous biennial exhibitions, and has been gradually improved in a large number of practices, forming a relatively perfect system standard. The art biennale in China started less than a decade ago. Although there have been valuable signs of combining the introduction of western norms with the creation of local experience, there are still many problems with imperfect systems. Among them, the planner system is the subject that needs to be studied seriously. Combined with the planning practice of the two most representative official art biennials, this paper discusses the similarities and differences of the Chinese biennale planner system in the process of implementation. By discussing what is a valuable biennial exhibition, what is a real planner and what is a relatively standard planner system, this paper further points out the experience and existing problems in the application of the planner system in Chinese Biennale of Art. The text is divided into three parts: the first part through the domestic and foreign important art biennial exhibition comments, clarifies the basic situation about the biennial exhibition planner system, in order to clarify some basic concepts and the benign operation mechanism in the planner system; The second part takes Shanghai Biennale and Beijing Biennale as examples to describe and evaluate the present situation of domestic biennial exhibition planner system. The third part makes further thinking about the basic qualities of the planners and the basic value orientation of the China Biennale, and finally the conclusion.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J124
【引证文献】
相关硕士学位论文 前2条
1 朱小钧;当代文化环境中的上海双年展[D];中央美术学院;2007年
2 孙一墨;素描生态研究[D];东北师范大学;2008年
，本文编号：2161635
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