文学艺术中的非理性研究
发布时间：2018-08-21 13:46
【摘要】：在创造过程中，广泛存在非理性现象，但总体而言，非理性的研究难如人意。从外部原因看，是狭隘的意识形态化倾向和理性主义中心化倾向压制了它的研究。从内部原因看，非理性本身作为一种复杂的心理现象，是难以用科学的手段和逻辑的语言方式来准确表述的。它是一股涌动的生命之流，奔行于规则和秩序之外，却又在暗中不断的支配艺术家的创作行动。 非理性的创造功能研究，首先从其概念的厘定入手。先前的对非理性概念的阐释，实际上是走向两个极端。持否定态度的学者，以一种柏拉图式的偏见将非理性简单的等同于情欲，其伤风败俗的恶果自然而然受到理性的排斥；另一极端很明显的移植了西方非理性主义的观点，将非理性看作生命的本体，是世界的本质，因而是支配宇宙运行的惟一力量。平衡论的研究也只是在理性与非理性的张力中游移。我们认为，从表层意义而言，非理性是一集合性概念，是无意识、想象、直觉等因素的统称；从深层意义而言，非理性是以人的原初欲望为起点，借助生命冲动来实现人的自由意志的本质力量。在创造的过程中，非理性具有颠覆性和建构性、差异性和不可重复性、突发性和易变性、非自觉性与非逻辑性、情绪性和非语言性的特征。 要想给予非理性以合法性的理论空间，必须处理好理性与非理性的关系。理性与非理性，既不能落入儒家传统的理驭情的旧范式，又不能采用以非理性取代理性的非理性主义的观点。二者是一种宽容自由的、开放性的对话关系。在创造中，，它们相互为用、相辅相成、不可分割。这种新型的对话关系是对二无对立思维的颠覆，它超越了浮躁的功用论、等级论以及以伦理化的价值判断。二者既互为中介，互相转化，又在特定环节中矛盾存在，最后统一于人的自由——创造的自由。这是人的潜能的完全实现，是创造主体的高峰体验。 深入研究非理性的创造结构，也是研究非理性创造功能的有机部分。非理性是一个整体，整体功能大于部分所具的功能之和。非理性由动力结构和形式结构两部分组成。动力结构由无意识组成，它位于创造主体心理上的最深层，既是创造的根本驱动力，又是信息存贮场。在无意识领域中，情欲浸 润着主体的经验和知识信息，推动艺术家去追求更高的审美目标。 非理性的形式结构由灵感、想象和直觉组成部分。三者都以无意识为动 力，互相联系而又表现出不同。灵感抉裹着想象和情感，是创造性活动中的 特殊飞跃状态，是创造力的完美体验;艺术家通过想象超越现象界，使一种 潜在的、非现实的东西出场，并使艺术家进入虚幻的艺术世界，使自我的心 灵对话成为可能;直觉，是心灵的穿透力，是对审美客体的瞬间的、自发的、 直接的把握，它能快速捕捉审美意象并克月时弓造中的障碍，是艺术家必备的 创造能力之一。 整体的非理性作为人的另一重要的本质力量，使理性和非理性之间的对 话关系得以形成。对话关系是对旧的二元对立思维的超越，是非理性研究的 一项突破。非理性的研究有着积极的现实性意义。它反对现代转型社会中存 在的大量的功利理性役使下的浅层次创造，从而提倡更具深刻内涵的原创 观.在更高的哲学层面上而言，无功利的创造就是将创造主体从异化状态中 解放出来，体验着人性完美的极度幸福。
[Abstract]:In the process of creation, irrational phenomena exist extensively, but in general, irrational research is unsatisfactory. From the external reasons, the narrow ideological tendency and rationalistic centralization tendency suppress its research. From the internal reasons, irrational itself as a complex psychological phenomenon, is difficult to use scientific means and logic. It is a surging stream of life, running outside the rules and order, but secretly dominating the artist's creative activities.
The study of the creative function of irrationality begins with the definition of its concept. The previous interpretation of the concept of irrationality actually goes to two extremes. It is obvious that the Western irrationalism is transplanted, and that irrationalism is regarded as the noumenon of life, which is the essence of the world, and therefore the only force governing the operation of the universe. In the deep sense, irrationality is the essential power of human's free will, starting from human's original desire and using life impulse to realize human's free will. The characteristics of mood and non language.
If we want to give irrationality a theoretical space of legitimacy, we must deal with the relationship between rationality and irrationality. Rationality and irrationality can neither fall into the old Confucian paradigm of rational control of emotion, nor adopt the viewpoint of irrationalism replacing rationality with irrationality. They serve each other, complement each other, and are inseparable. This new dialogic relationship is a subversion of the two-nonantagonistic thinking, which goes beyond impetuous utilitarianism, hierarchy and ethical value judgment. This is the full realization of human potential and the peak experience of creative subjects.
Irrationality is a whole, and the whole function is greater than the sum of the functions of the parts. Irrationality consists of two parts: the dynamic structure and the formal structure. The fundamental driving force is the information storage field.
Moistening the main body's experience and knowledge, and promoting artists to pursue higher aesthetic goals.
The irrational form structure consists of inspiration, imagination and intuition. The three are all unconscious.
Force is interrelated and different. Inspiration is wrapped in imagination and emotion. It is a creative activity.
The special leap state is the perfect experience of creativity; the artist transcends the phenomenal realm by imagining, making one kind of
Potential, unrealistic things come out, and enable artists to enter the illusory world of art.
Spiritual dialogue is possible; intuition is the penetrating power of the soul, and it is instantaneous and spontaneous to the aesthetic object.
Direct grasp, it can quickly capture the aesthetic image and create obstacles in the month, is an essential part of the artist.
One of creativity.
The overall irrationality, as another important essential force of human beings, makes the difference between reason and irrationality.
Dialogic relations are formed. Dialogue is the transcendence of the old two opposite thinking and is the study of irrationality.
A breakthrough. Irrational research has positive practical significance. It is against the existence of a modern transitional society.
In a large number of utilitarian and rational work of shallow creation, so as to promote more profound connotation of the original.
From a higher philosophical level, the creation without utility is to alienate the creative subject from alienation.
Liberated, experiencing the perfect happiness of human nature.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I04
本文编号：2195924
[Abstract]:In the process of creation, irrational phenomena exist extensively, but in general, irrational research is unsatisfactory. From the external reasons, the narrow ideological tendency and rationalistic centralization tendency suppress its research. From the internal reasons, irrational itself as a complex psychological phenomenon, is difficult to use scientific means and logic. It is a surging stream of life, running outside the rules and order, but secretly dominating the artist's creative activities.
The study of the creative function of irrationality begins with the definition of its concept. The previous interpretation of the concept of irrationality actually goes to two extremes. It is obvious that the Western irrationalism is transplanted, and that irrationalism is regarded as the noumenon of life, which is the essence of the world, and therefore the only force governing the operation of the universe. In the deep sense, irrationality is the essential power of human's free will, starting from human's original desire and using life impulse to realize human's free will. The characteristics of mood and non language.
If we want to give irrationality a theoretical space of legitimacy, we must deal with the relationship between rationality and irrationality. Rationality and irrationality can neither fall into the old Confucian paradigm of rational control of emotion, nor adopt the viewpoint of irrationalism replacing rationality with irrationality. They serve each other, complement each other, and are inseparable. This new dialogic relationship is a subversion of the two-nonantagonistic thinking, which goes beyond impetuous utilitarianism, hierarchy and ethical value judgment. This is the full realization of human potential and the peak experience of creative subjects.
Irrationality is a whole, and the whole function is greater than the sum of the functions of the parts. Irrationality consists of two parts: the dynamic structure and the formal structure. The fundamental driving force is the information storage field.
Moistening the main body's experience and knowledge, and promoting artists to pursue higher aesthetic goals.
The irrational form structure consists of inspiration, imagination and intuition. The three are all unconscious.
Force is interrelated and different. Inspiration is wrapped in imagination and emotion. It is a creative activity.
The special leap state is the perfect experience of creativity; the artist transcends the phenomenal realm by imagining, making one kind of
Potential, unrealistic things come out, and enable artists to enter the illusory world of art.
Spiritual dialogue is possible; intuition is the penetrating power of the soul, and it is instantaneous and spontaneous to the aesthetic object.
Direct grasp, it can quickly capture the aesthetic image and create obstacles in the month, is an essential part of the artist.
One of creativity.
The overall irrationality, as another important essential force of human beings, makes the difference between reason and irrationality.
Dialogic relations are formed. Dialogue is the transcendence of the old two opposite thinking and is the study of irrationality.
A breakthrough. Irrational research has positive practical significance. It is against the existence of a modern transitional society.
In a large number of utilitarian and rational work of shallow creation, so as to promote more profound connotation of the original.
From a higher philosophical level, the creation without utility is to alienate the creative subject from alienation.
Liberated, experiencing the perfect happiness of human nature.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I04
【引证文献】
相关硕士学位论文 前1条
1 袁丽珍;现代主义视阈下的流浪意识[D];广东技术师范学院;2012年
本文编号：2195924
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