李格尔“触觉”概念在艺术史研究中的渊源及意义
发布时间：2018-08-30 15:47
【摘要】：西方艺术史研究长期有着视觉中心主义的倾向,这不利于全面认识艺术以及艺术的发展。经验主义认识论以及心理学的发展使得人们对人类的认知能力有了更深入的了解,为细致分析艺术中各感官的作用奠定了理论基础,赫尔德和康德等人已开始摆脱视觉中心主义,分析触觉在艺术中的作用。李格尔则进一步把触觉引入艺术史的研究中,以触觉与视觉间的张力构建了艺术的发展轨迹。他的努力对理解艺术的知觉基础,认识各门类艺术的个性和共性都有着积极的作用。
[Abstract]:The study of western art history has the tendency of visual centralism for a long time, which is not conducive to the overall understanding of art and its development. The development of empiricism epistemology and psychology makes people have a deeper understanding of human cognitive ability, which lays a theoretical foundation for the detailed analysis of the role of various senses in art. Herd and Kant and others have begun to shake off visual centralism and analyze the role of tactile in art. Ligel further introduced tactile into the study of art history and constructed the development track of art with the tension between tactile and visual. His efforts play a positive role in understanding the perceptual basis of art and recognizing the individuality and commonness of various kinds of art.
【作者单位】： 东南大学艺术学院;安庆师范学院文学院;
【分类号】：J110.9
[Abstract]:The study of western art history has the tendency of visual centralism for a long time, which is not conducive to the overall understanding of art and its development. The development of empiricism epistemology and psychology makes people have a deeper understanding of human cognitive ability, which lays a theoretical foundation for the detailed analysis of the role of various senses in art. Herd and Kant and others have begun to shake off visual centralism and analyze the role of tactile in art. Ligel further introduced tactile into the study of art history and constructed the development track of art with the tension between tactile and visual. His efforts play a positive role in understanding the perceptual basis of art and recognizing the individuality and commonness of various kinds of art.
【作者单位】： 东南大学艺术学院;安庆师范学院文学院;
【分类号】：J110.9
【共引文献】
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