苏曼殊译作的多维度描述性研究

发布时间：2018-10-29 23:02

【摘要】： 翻译是一个作决定的过程，一项受规则制约的活动，一个有目的的行为。同时，它也是改写和操纵的一种形式。翻译不是在真空中进行的，它总是置根于特定的语言、社会和文化语境之中，因此翻译研究不应与其发生的语言、社会和文化语境割裂。本文基于佐哈尔提出的“多元系统理论”和解构主义思想，采用描述-解释方法，对苏曼殊的译作，即十首诗歌和两部小说，进行多维度的分析。苏曼殊是中国清末民初的诗人、翻译家、画家、词典及梵文语法书编撰者、和尚和革命家。本文的分析主要从四个互相关联的系统，即语言系统、文学系统、意识形态系统和文化系统等展开。从语言系统来看，英汉语分属于不同的语系，二者在音韵方面的差异和一词多义现象的存在，导致了苏曼殊在其诗歌翻译过程中，，用中国传统的诗歌形式和押韵方式来代替、补偿原文的形式和韵式，以及一些措词的选择和误用。从文学系统来看，本文先总结描述了苏曼殊译作的四个基本特点：他的译作大部分是经典作家的经典作品；用章回体小说翻译雨果的长篇小说；不论原诗形式如何，译诗均为五言或七言律诗／绝句；他喜用古雅的语言。随后分别从苏曼殊本人的诗学、当时占据统治地位的诗学、赞助人及接受理论等视角给予解释。从意识形态系统来看，论文勾勒了影响苏曼殊翻译决策过程的五种意识形态：清朝统治阶级的意识形态、儒教、父权制、苏曼殊的革命意识和佛教。以此为基础，作者详细分析了苏曼殊在翻译雨果的小说《悲惨世界》过程中的重组、增删和创造以及诗歌翻译中的原诗作者的选择、主题的选择和男性视角的应用。从文化系统来看，本章主要聚焦于报纸业的发展对苏曼殊翻译雨果的小说《悲惨世界》所产生的影响。综合起来说，苏曼殊对于翻译文本的选择以及其相应的翻译策略如改变、增加、删节等是语言、文学、意识形态和文化等因素共同作用的产物。
[Abstract]:Translation is a decision-making process, a regulated activity, a purposeful act. At the same time, it is also a form of rewriting and manipulation. Translation is not carried out in a vacuum. It is always rooted in a particular linguistic, social and cultural context. Therefore, translation studies should not be separated from the linguistic, social and cultural context in which it occurs. Based on Zohar's theory of multiple systems and deconstruction, this paper analyzes Su Manshu's translation of ten poems and two novels by using the method of descriptive explanation. Su Manshu was a poet, translator, painter, editor of dictionaries and Sanskrit grammar books, monk and revolutionary. The analysis of this paper mainly consists of four interrelated systems, namely, language system, literature system, ideology system and cultural system. From the perspective of language system, English and Chinese belong to different language families. Their differences in phonology and polysemy lead to Su Manshu's substitution of traditional Chinese poetry forms and rhyming methods in the process of his poetry translation. To compensate for the form and rhyme of the original text, as well as the choice and misuse of some words. From the perspective of literary system, this paper first summarizes and describes the four basic features of Su Manshu's translation: most of his translated works are classic works of classical writers, the translation of Hugo's novels by Zhang Hui style novels; Whatever the form of the original poem, the translated poem is in five-character or seven-character rhymes / quatrains; he prefers quaint language. Then it explains it from the perspective of Su Manshu's poetics, the dominant poetics, patronage and reception theory. From the perspective of ideology system, the thesis outlines five ideologies that influence the decision-making process of Su Manshu's translation: the ideology of the ruling class in the Qing Dynasty, Confucianism, patriarchy, Su Manshu's revolutionary consciousness and Buddhism. On this basis, the author analyzes in detail Su Manshu's reorganization, additions, deletions and creations in the process of translating Hugo's novel "Les Miserables", as well as the choice of the original poem author, the choice of the theme and the application of the male perspective in poetry translation. From the perspective of cultural system, this chapter focuses on the influence of the development of newspaper industry on Su Manshu's translation of Hugo's novel Les Miserables. To sum up, Su Manshu's choice of translated texts and his corresponding translation strategies such as changes, additions and deletions are the result of the combined effects of language, literature, ideology and culture.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：I046

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