媒介性：后现代艺术的存在
发布时间：2018-11-03 10:37
【摘要】：媒介问题不仅是美学和艺术哲学研究的重要组成部分,而且随着后现代社会的到来,逐渐成为研究后现代社会各种现象和思潮的切入点。本论文试图通过对媒介的解读实现对后现代社会艺术现象的进一步理解。媒介并不是后现代社会特有的艺术现象,而是每个不同时代都存在并与艺术发展密切相关的事实,但是后现代艺术的媒介具有其存在的独特性。后现代艺术的媒介不仅仅通过震惊效果的达到,突现出后现代艺术的自反性命名,并且更进一步成为后现代艺术发展的技术建构,通过传媒、消费和网络实现了后现代艺术的媒介性存在。 论文共分七个部分。 导论主要介绍了选题的意义、目的和研究现状。二十世纪中叶以后西方社会相继进入了后工业社会,媒介问题成为了西方各学派在探讨后工业社会时无法回避的理论背景。同时我国随着大众传播的发展,艺术发展也越来越具有了某些后现代的特征。如何把握艺术发展的现状以及对未来进行预测与建构是我国艺术进一步发展面临的重要问题。这样对媒介问题的研究既是理论发展也是艺术实践发展的现实要求。我国媒介研究现状主要有两个特点:一是媒介研究的专业化,另一个则是媒介研究的文化批评化,媒介成为一种新的文化批评背景和形式。 第一章 关于媒介的几个基本概念。主要就“媒介”、“艺术媒介”和“媒介与后现代艺术”三个问题进行了阐释。作为媒介定义的第一个层次是传播信息的工具包括纸张、光、电、声波等等众多符号载体;同时由于大众传播的迅猛发展,促成了传播机构的产生,传播机构就成为媒介定义的第二个层次:媒介定义的第三层面是从形而上入手进行的阐释,媒介是使事物之间形成关系的介质,并成为形成人类关系以及决定关系方式的重要因素。现代意义的艺术媒介主要包含三个层面的意义,首先是艺术作品的物质材料,其次是作品的组织与表现形式,第三层是艺术品传播。“媒介与后现代艺术”这一部分中主要介绍了后现代艺术的时间及逻辑划分,并初步分析了后现代艺术媒介性存在的原因。 第二章 媒介与后现代艺术作品体制。如果要探讨后现代艺术的媒介性存在,即通过媒介实现的反艺术存在方式,就必须首先探讨艺术性的存在。艺术作品的存在涉及到两个问题:一是艺术作品的存在方式,一是存在体制。艺术作品的存在方式作为一种形而上的关系形式,现实的连接着物理性的艺术作品与观念性的艺术作品存在,这种关系就是我们对艺术作品存在进行理解的媒介。由于内容与
[Abstract]:Media is not only an important part of the study of aesthetics and art philosophy, but also a breakthrough point for the study of various phenomena and trends of thought in post-modern society with the arrival of post-modern society. This paper attempts to achieve a further understanding of the art phenomenon in the post-modern society through the interpretation of the media. Media is not a unique artistic phenomenon in post-modern society, but a fact that exists in different times and is closely related to the development of art, but the media of post-modern art has its unique existence. The media of post-modern art not only achieve the shock effect, but also reveal the self-reflexive life name of post-modern art, and further become the technological construction of the development of post-modern art, through the media, Consumption and network realize the media existence of post-modern art. The paper is divided into seven parts. The introduction mainly introduces the significance, purpose and research status of the topic. Since the middle of the 20th century, the western society has entered the post-industrial society one after another, and the media problem has become the theoretical background that the western schools can not avoid when discussing the post-industrial society. At the same time, with the development of mass communication, the development of art has more and more postmodern characteristics. How to grasp the present situation of art development and how to predict and construct the future is an important problem for the further development of art in China. Therefore, the study of media is not only the development of theory but also the practical requirement of the development of art practice. The present situation of media research in China has two main characteristics: one is the specialization of media research, the other is the cultural criticism of media research, which has become a new cultural criticism background and form. The first chapter deals with several basic concepts of media. This paper mainly explains three problems: media, artistic medium and media and post-modern art. As the first level of media definition, information dissemination tools include paper, light, electricity, sound and many other symbol carriers; At the same time, because of the rapid development of mass communication, the media organization becomes the second level of media definition: the third level of media definition is the interpretation from the metaphysical point of view. Media is the medium to form a relationship between things, and become an important factor in the formation of human relations and the manner of relationship. The artistic medium of modern meaning mainly includes three levels of meaning, first is the material of the works of art, secondly is the organization and the form of expression of the works, and the third layer is the dissemination of works of art. In this part, the author mainly introduces the time and logic division of post-modern art, and analyzes the reasons of the existence of media in post-modern art. The second chapter media and post-modern art works system. If we want to explore the media existence of postmodern art, that is, the anti-art existence through the media, we must first explore the existence of artistry. The existence of works of art involves two problems: one is the way of existence of works of art, the other is the system of existence. As a metaphysical form of relationship, the existence of works of art is connected with the existence of physical works of art and idealistic works of art, which is the medium for us to understand the existence of works of art. Due to content and
【学位授予单位】：山东大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：I0
本文编号：2307541
[Abstract]:Media is not only an important part of the study of aesthetics and art philosophy, but also a breakthrough point for the study of various phenomena and trends of thought in post-modern society with the arrival of post-modern society. This paper attempts to achieve a further understanding of the art phenomenon in the post-modern society through the interpretation of the media. Media is not a unique artistic phenomenon in post-modern society, but a fact that exists in different times and is closely related to the development of art, but the media of post-modern art has its unique existence. The media of post-modern art not only achieve the shock effect, but also reveal the self-reflexive life name of post-modern art, and further become the technological construction of the development of post-modern art, through the media, Consumption and network realize the media existence of post-modern art. The paper is divided into seven parts. The introduction mainly introduces the significance, purpose and research status of the topic. Since the middle of the 20th century, the western society has entered the post-industrial society one after another, and the media problem has become the theoretical background that the western schools can not avoid when discussing the post-industrial society. At the same time, with the development of mass communication, the development of art has more and more postmodern characteristics. How to grasp the present situation of art development and how to predict and construct the future is an important problem for the further development of art in China. Therefore, the study of media is not only the development of theory but also the practical requirement of the development of art practice. The present situation of media research in China has two main characteristics: one is the specialization of media research, the other is the cultural criticism of media research, which has become a new cultural criticism background and form. The first chapter deals with several basic concepts of media. This paper mainly explains three problems: media, artistic medium and media and post-modern art. As the first level of media definition, information dissemination tools include paper, light, electricity, sound and many other symbol carriers; At the same time, because of the rapid development of mass communication, the media organization becomes the second level of media definition: the third level of media definition is the interpretation from the metaphysical point of view. Media is the medium to form a relationship between things, and become an important factor in the formation of human relations and the manner of relationship. The artistic medium of modern meaning mainly includes three levels of meaning, first is the material of the works of art, secondly is the organization and the form of expression of the works, and the third layer is the dissemination of works of art. In this part, the author mainly introduces the time and logic division of post-modern art, and analyzes the reasons of the existence of media in post-modern art. The second chapter media and post-modern art works system. If we want to explore the media existence of postmodern art, that is, the anti-art existence through the media, we must first explore the existence of artistry. The existence of works of art involves two problems: one is the way of existence of works of art, the other is the system of existence. As a metaphysical form of relationship, the existence of works of art is connected with the existence of physical works of art and idealistic works of art, which is the medium for us to understand the existence of works of art. Due to content and
【学位授予单位】：山东大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：I0
【引证文献】
相关期刊论文 前1条
1 李晓宇;吕秀峰;;现代媒介对传统艺术的影响[J];大众文艺(理论);2009年21期
，本文编号：2307541
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