“妙悟”与“直觉”的可比性研究

发布时间：2018-11-06 11:07

【摘要】：“妙悟”是严羽诗学思想的核心概念,也是中国美学史上禅、艺合流的内在理论基础。“直觉”是克罗齐美学思想的核心范畴,也是西方美学中的一个普泛性概念。作为中文语词,“妙悟”与“直觉”不论从意义上还是从构成上都具有相似性。中国人以“直觉”对译西方的“intuition”似乎暗示了二者具有可沟通、可互释的广阔空间,现代学者在阐释“妙悟”和传译“直觉”时就展现了这一过程。分别以这两个范畴为基石的严羽、克罗齐诗学之间,就其整体意义和具体形态上存在着很大的可比性。文章拟从词源学、译介学和接受学的角度考察中国译者将“intuition”翻译成“直觉”的深层民族文化心理基础,从而引入到对“妙悟”和“直觉”这两个范畴的比较,但不将其局限于严羽和克罗齐的诗学理论之中,而是追溯“妙悟”和隐性的“直觉”理论在中国古典文论中的发展演变轨迹,以及“妙悟”与“直觉”在诗学层面上的可沟通性。
[Abstract]:"Miao Wu" is the core concept of Yan Yu's poetics and the internal theoretical basis of Zen and art in the history of Chinese aesthetics. Intuition is not only the core category of Croce's aesthetic thought, but also a universal concept in western aesthetics. As a Chinese word, Miao Wu and intuition have similarities both in meaning and composition. The translation of "intuition" in the West by the Chinese "intuition" seems to imply that the two have broad space for communication and interpretation, which is demonstrated by modern scholars in interpreting "Miao Wu" and "intuition". With these two categories as the foundation stone, there is a great comparability between Croce's poetics and its whole meaning and concrete form. From the perspective of etymology, translatology and reception, this paper intends to examine the deep psychological basis of Chinese translators' translation of "intuition" into "intuition", thus introducing a comparison between the categories of "Miao Wu" and "intuition". However, it is not confined to Yan Yu and Croce's poetics, but traces the development and evolution of "Miao Wu" and recessive "intuition" theory in Chinese classical literary theory. And the communication between Miao Wu and intuition in poetics.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I01

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