视觉表征的意识形态和审美逻辑——本土图像艺术中的“他者”形象研究

发布时间：2018-11-08 16:03

【摘要】：在"图像转向"之后视觉文化占统治地位的当代,图像艺术中的"他者"形象,尤其是本土艺术中的异族"他者"形象是一个很有研究价值的课题。本土艺术中的"他者"形象指某一文化传统的艺术中出现的不属于自己族群、而是来自异邦的人物形象。前全球化时期东西方艺术在视觉领域都有大量的"他者"形象,通过探讨这些"他者"形象不仅可以了解不同文化之间的交流,而且可以认识视觉表征的深层结构与审美机制。在创造"他者"形象的过程中,有哪些影响"他者"形象塑造的因素呢?哪一个是起决定作用的因素?这一决定因素如何影响和左右了他者形象的塑造呢?由于受制于"自我"与"他者"关系的多种因素的共同作用,图像艺术中的他者形象在"美化"与"丑化"的两极之间互动,但采取何种形式处理取决于本土艺术家所处时代的地缘政治、世界秩序以及本土文化在当时的软实力和话语权。换言之,是权力政治和意识形态最终决定了塑造他者形象的审美趣味。
[Abstract]:After the "image turning", the "other" image in the image art, especially the "other" image of the foreign race in the local art, is a subject of great research value. The "other person" image in native art refers to the figure which appears in the art of a certain cultural tradition, not belonging to one's own ethnic group, but from a foreign country. In the pre-globalization period, there are a large number of "other" images in the field of vision in eastern and western art. By discussing these "other" images, we can not only understand the communication between different cultures, but also understand the deep structure and aesthetic mechanism of visual representation. In the process of creating the image of "other", what are the factors that influence the shaping of "other" image? Which is the determining factor? How does this determinant influence and influence the shaping of the image of the other? As a result of the interaction of various factors in the relationship between "self" and "other", the other image in image art interacts between the two poles of "beautification" and "ugliness". But how to deal with it depends on the geopolitics, the world order, and the soft power and voice of local culture in the era in which local artists live. In other words, it is power politics and ideology that ultimately determine the aesthetic taste that shapes the image of the other.
【作者单位】：东南大学艺术学院;达拉斯德州大学艺术人文学院;
【基金】：美国达拉斯德州大学艺术人文学院与东南大学艺术学院的合作项目“中国的图文艺术研究”的前期成果之一
【分类号】：J110.9

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