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方回审美主体心境论考释

发布时间:2018-11-24 12:02
【摘要】:方回在其丰富的审美活动中明确意识到了审美主体诗性心灵境界的根本性意义。他从审美主体真朴闲雅、澄澈明净之心境的培育,以及审美主体学养、识见、心胸情志的涵养这两个相互联系着的层面,对此展开了深切的思考与言说,并指出审美主体诗性心境之实现的根本途径在于读书、学问。方回这样的认识和思考,从根本上说,源于他对儒家之道、义理之学的深切体认,亦与他对自身遭际体验、创作实践、阅读实践的反观,以及对之前尤其是宋代诗学思想资源的省思,有着深层的关联。
[Abstract]:In his rich aesthetic activities, Fang Hui clearly realized the fundamental significance of poetic spiritual realm of aesthetic subject. From the two interrelated aspects of the aesthetic subject, that is, the cultivation of the pure and clear state of mind, and the cultivation of the aesthetic subject's learning, understanding and mind-set, he has carried out deep thinking and talk about it. And points out that the basic way to realize the poetic mood of aesthetic subject lies in reading and learning. Fang Hui's understanding and thinking is fundamentally rooted in his deep understanding of the Confucian way and the study of righteousness and theory, and his reflection on his own experience, creative practice, and reading practice. And the pondering over the resources of poetics before, especially in the Song Dynasty, is deeply related.
【作者单位】: 首都师范大学文学院;
【分类号】:I01


本文编号:2353635

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