艺术人类学的西方语境与中国实践

发布时间：2019-01-01 17:42

【摘要】：艺术人类学无论是作为一种学术流派还是作为一种研究方法,抑或作为一种基本视野和思维背景,它的命名和提出,对于人类学关于艺术的研究起到了弥补性的作用。作为一种现代性话语,艺术人类学是来自英美的学术流派,最初都基本上集中关注遥远的、远古的原始艺术,随着人类学研究范式的转换,人类学的艺术研究也转向对现实生活的艺术现象的关注。关注特定时空的文化群体,强调参与观察和设身处地的文化体验,通过文化对话和文化体认,以民族志书写方式进行学术思考,以观察—体验—追问—反思的提问方式进行艺术观点的归纳提炼和构建。这样一种学术逻辑,使得中国的艺术人类学实践的多角度展开和多学科切入成为可能。因此,无论是文艺学学科视角的切入还是人类学学科的拓展,艺术人类学在当下中国的实践正日渐表现出强烈的问题意识和当下意识,越来越凸显出浓厚的文化研究、文化批评的学科素质。
[Abstract]:Whether as an academic school or as a research method, or as a basic vision and thinking background, the naming and putting forward of artistic anthropology play a compensatory role in the study of art in anthropology. As a modern discourse, art anthropology is an academic school from the United States and the United States. At first, it basically focused on distant, ancient primitive art, with the change of anthropological research paradigm. Anthropological art research also turned to the real life of the art phenomenon. Paying attention to cultural groups in specific time and space, emphasizing their participation in observing and placing themselves in the cultural experience, conducting academic thinking through cultural dialogue and cultural understanding, and writing ethnography, The artistic point of view is abstracted and constructed by the way of observation-experience-questioning-reflection. This kind of academic logic makes it possible for Chinese art anthropology practice to be carried out from many angles and subject. Therefore, whether it is the angle of view of literature and art or the expansion of anthropology, the practice of art anthropology in China is increasingly showing a strong sense of question and subconsciousness, more and more highlighted the strong cultural research. The subject quality of cultural criticism.
【作者单位】：吉首大学文学院;
【基金】：教育部人文社会科学规划项目“旅游语境中湘西民间艺术发展的人类学研究”(08JC850002)
【分类号】：J0

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