论20世纪艺术的“返魅”倾向

发布时间：2019-01-08 20:59

【摘要】： 本文认为，人类的存在原本是“附魅”的，即人类最初是以自身的完满姿态“诗性”地栖居于自然之家。然而自从科学与哲学兴起于古希腊时期，人类便开始了祛魅时代。从那时起人类否认与自然的亲和关系，从而与自然分裂；否认构成生命体的精神与肉体的相通性从而造成了人自身的分裂。 20世纪以大卫·雷·格里芬为代表的建设性后现代主义者创立了“返魅哲学”，，意图弥合人与自然以及人自身的分裂。与返魅哲学相呼应，20世纪的艺术开始出现返魅倾向。本文旨在客观描述此种现象的发生状况并研究该现象对人类领悟存在的意义及价值。论文共分五部分。第一部分综合论述返魅哲学以及哲学、艺术、存在三者的关系；第二部分论证艺术的附魅本质：附魅的艺术以其原始的天真质朴呈现出远古人类诗性的生存样态；第三部分评述祛魅艺术：祛魅时代的艺术一方面有选择地对存在辉煌彰显，另一方面由于祛魅理论的偏狭在某种程度上造成对存在的遮蔽；第四部分描述20世纪具有返魅倾向的艺术，这一时期的艺术出于对前代艺术的反思，使返魅观念进入艺术理念，艺术作品表现出巨大的包容力、理解力、创造力，意图澄明人类完整的生命状态，回复与自然的同一及人自身的和谐完满；第五部分论述返魅艺术建立的价值公设：“真”与“和谐”。艺术藉敞亮自身以澄明人类存在，具有返魅倾向的艺术在敞亮自身的过程中使存在者得以领悟存在的诗性。
[Abstract]:This paper holds that the existence of human beings was originally "enchantment", that is to say, human beings originally lived in the house of nature with their own perfect posture "poetically". However, since the rise of science and philosophy in ancient Greece, the era of disenchantment began. Since then, man has denied his affinity to nature and thus split with nature; he denied the communion between the mind and the body, which constitutes life, thus causing the division of man himself. In the 20th century, the constructive postmodernists, represented by David Ray Griffin, created "reenchantment philosophy" with the intention of bridging the division between man and nature and man himself. Echoing with the philosophy of reenchantment, the art of the 20 th century began to appear the tendency of reenchantment. The purpose of this paper is to objectively describe the occurrence of this phenomenon and study its significance and value to human beings. The paper is divided into five parts. The first part comprehensively discusses the relationship between reenchantment philosophy and philosophy, art, existence, the second part demonstrates the essence of the enchantment of art: the art of enchantment presents the existence of ancient human poetry with its primitive innocence. The third part comments on disenchantment art: on the one hand, the art of disenchantment times highlights the brilliance of existence selectively, on the other hand, the intolerance of disenchantment theory results in the obscurity of existence to some extent; The fourth part describes the art with reenchantment tendency in the 20th century. The art of this period is due to the reflection of the previous generation of art, which makes the concept of reenchantment enter into the artistic concept. The art works show great tolerance, understanding and creativity. The intention is to clarify the complete state of human life, to restore the unity with nature and the harmony and perfection of man himself; The fifth part discusses the value postulate of the establishment of reenchantment art: truth and harmony. Art reveals human existence by revealing itself, and the art with the tendency of reenchantment makes the existence realize the poetic nature of being in the process of revealing itself.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：J110.95

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