诗的的复兴——海德格尔诗学述评
发布时间：2019-03-23 14:59
【摘要】： 海德格尔是二十世纪最重要的艺术理论家之一，他在批判了传统形而上学美学的基础上，发展出一种存在论诗学，在世界范围内产生了极大影响。本文主要讨论海德格尔诗学的思想来源、主要内容和特征及其与德国古典美学的关系，从而揭示它的本质。 本文第一部分概括叙述了海德格尔的基本思想，，并大致区分了其前期和后期的特征，为海德格尔的诗学揭示其思想基础。 第二部主要讨论了海德格尔诗学中的几个关键问题，它们分别是：作品的存在、诗与真理和贫困时代的诗人。这样就可以综览海德格尔诗学中的主要内容，并可以见出这些内容之间的相互关系。 第三部分在前两部分的基础上讨论海德格尔对传统的形而上学的美学的批判，由此而揭示出传统形而上学美学的根源及其本质，使其陷入危机之中。 第四部分接着探讨了海德格尔诗学的特征，即本体论特征、开放性和实践性，这显示了海德格尔的独特贡献。 最后，第五部分专门探讨了海德格尔诗学与德国古典美学的关系。文中首先详细比较了康德、席勒、荷尔德林与海德格尔在艺术观上的一些共同之处，然后又集中论述了黑格尔的“艺术终结”论，以及海德格尔对这个论断的解释。通过分析，我们发现海德格尔诗学是在继承德国古典美学的基础上发展起来的，并对后者作了精辟的解释、总结和发展。
[Abstract]:Heidegger is one of the most important art theorists in the 20th century. On the basis of criticizing the traditional metaphysical aesthetics, Heidegger has developed a kind of existential poetics, which has had a great influence in the world. This paper mainly discusses the ideological source, main contents and characteristics of Heidegger's poetics and its relationship with German classical aesthetics, thus revealing its essence. The first part of this paper summarizes Heidegger's basic thoughts, and roughly distinguishes the characteristics of his earlier and later periods, and reveals his ideological basis for Heidegger's poetics. The second part mainly discusses several key issues in Heidegger's poetics, which are: the existence of works, poetry and truth, and poets in the age of poverty. In this way, the main contents of Heidegger's poetics can be summarized, and the relationship between them can be seen. The third part discusses Heidegger's criticism of the traditional metaphysical aesthetics on the basis of the first two parts, thus revealing the origin and essence of the traditional metaphysical aesthetics and putting it into crisis. The fourth part discusses the characteristics of Heidegger's poetics, namely ontology, openness and practicality, which shows Heidegger's unique contribution. Finally, the fifth part discusses the relationship between Heidegger's poetics and German classical aesthetics. This paper first makes a detailed comparison between Kant, Schiller, Holdrin and Heidegger in their views of art, and then focuses on Hegel's theory of "the end of Art" and Heidegger's explanation of this conclusion. Through the analysis, we find that Heidegger's poetics develops on the basis of inheriting the classical aesthetics of Germany, and makes a penetrating explanation, summary and development of the latter.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：I01
本文编号：2445928
[Abstract]:Heidegger is one of the most important art theorists in the 20th century. On the basis of criticizing the traditional metaphysical aesthetics, Heidegger has developed a kind of existential poetics, which has had a great influence in the world. This paper mainly discusses the ideological source, main contents and characteristics of Heidegger's poetics and its relationship with German classical aesthetics, thus revealing its essence. The first part of this paper summarizes Heidegger's basic thoughts, and roughly distinguishes the characteristics of his earlier and later periods, and reveals his ideological basis for Heidegger's poetics. The second part mainly discusses several key issues in Heidegger's poetics, which are: the existence of works, poetry and truth, and poets in the age of poverty. In this way, the main contents of Heidegger's poetics can be summarized, and the relationship between them can be seen. The third part discusses Heidegger's criticism of the traditional metaphysical aesthetics on the basis of the first two parts, thus revealing the origin and essence of the traditional metaphysical aesthetics and putting it into crisis. The fourth part discusses the characteristics of Heidegger's poetics, namely ontology, openness and practicality, which shows Heidegger's unique contribution. Finally, the fifth part discusses the relationship between Heidegger's poetics and German classical aesthetics. This paper first makes a detailed comparison between Kant, Schiller, Holdrin and Heidegger in their views of art, and then focuses on Hegel's theory of "the end of Art" and Heidegger's explanation of this conclusion. Through the analysis, we find that Heidegger's poetics develops on the basis of inheriting the classical aesthetics of Germany, and makes a penetrating explanation, summary and development of the latter.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：I01
【引证文献】
相关硕士学位论文 前2条
1 李俊伟;西方文论中诗与真理关系理论的历史变迁[D];延安大学;2010年
2 张宏宇;海德格尔倾听的诗学思想[D];黑龙江大学;2012年
本文编号：2445928
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