汉字创造中的集体无意识

发布时间：2018-01-24 07:59

本文关键词： 汉字《说文解字》集体无意识原型　出处：《宁夏大学》2013年硕士论文　论文类型：学位论文

【摘要】：在一些古老民族与原始部落的文化与传统仪式中、在形形色色的宗教象征与仪式上都可以找到集体无意识的影子。当然作为中华文化重要组成部分的汉字,其中也包含了大量的集体无意识信息。汉字作为我们记录语言、交流思想的工具,有着悠久的历史和丰富的文化信息。汉字至今已有将近5000年的历史,它的起源就是中国古代文明的起源,它的发展就是中国古代文明的发展史。汉字是古代先民劳动的结晶,是他们对客观世界的反应和认识。其表意的特征更是古代生产生活、自然地理、社会风俗的真实写照。所以说集体无意识在古文字中是无所不在的。本文分别从汉字创造中的集体无意识成因入手,分析了汉字中集体无意识的自然成因,汉字中集体无意识的社会成因,汉字中集体无意识的地理成因和汉字中集体无意识的“内”、“外”信息刺激成因。接下来以汉字为中心展开了汉字的原型批判：包括阴影原型、人格面具、自性原型、阿尼玛与阿尼姆斯这四类集体无意识中最基本的原型。最后对汉字创造中的集体无意识进行了探究,探讨了集体无意识对于造字智慧的影响,集体无意识对于汉字形体的影响,集体无意识对于汉字构型的影响以及集体无意识对于象形会意字的影响。最后得出结论：作为以汉字为母语的中国人,对汉字简直是太熟悉了。自幼由汉字伴随着长大,每天读书写作,像空气与食粮一样与汉字朝夕不离；尽管如此,我们仍然对汉字感到神奇,心中始终拥有一种无限的感激。诚如许慎所言：“盖文字者,经艺之本,王政之始,前人所以垂古,后人所以识古。故日：‘本立而道生’,知天下之至啧而不可乱也。”汉字文化心理的研究学对历史文化的把握有其独特的意义,但也有其局限,因为汉字虽然以象形为基础,为我们梳理文化脉络有其长处,但象形符号毕竟不是客观图形的反映。同时,用汉字本身去反映社会历史文化,在具有客观性、整体性和不可取代性的同时,毕竟在量化和具体过程和细节等方面,还有其自身所不能克服的局限。对此,我们还需要进一步更深入的研究。
[Abstract]:In the cultural and traditional rituals of some ancient nationalities and primitive tribes, the shadow of collective unconsciousness can be found in various religious symbols and rituals. Of course, as an important part of Chinese culture, Chinese characters can be found. It also contains a large number of collective unconscious information. As a tool to record language and exchange ideas, Chinese characters have a long history and rich cultural information. Chinese characters have a history of nearly 5000. Its origin is the origin of ancient Chinese civilization, its development is the history of ancient Chinese civilization. It is their reaction to the objective world and their understanding. The characteristics of their ideas are ancient production and life, natural geography. Therefore, collective unconscious is omnipresent in ancient Chinese characters. This paper starts with the causes of collective unconscious in the creation of Chinese characters, and analyzes the natural causes of collective unconsciousness in Chinese characters. Social causes of collective unconsciousness in Chinese characters, geographical causes of collective unconsciousness in Chinese characters and "inner" of collective unconscious in Chinese characters. The causes of "external" information stimulation. Then, the prototype criticism of Chinese characters is carried out, including shadow archetypes, personality masks, and self-nature archetypes. Anima and Anims are the most basic archetypes of the collective unconsciousness. Finally, the author probes into the collective unconscious in the creation of Chinese characters, and discusses the influence of the collective unconscious on the wisdom of character creation. The influence of collective unconscious on the form of Chinese characters, the influence of collective unconscious on the configuration of Chinese characters and the influence of collective unconscious on pictographic conjunctive characters. I am too familiar with Chinese characters. Since childhood, I have been growing up with Chinese characters, reading and writing every day, like air and food. Nevertheless, we still feel magical about Chinese characters, and always have an infinite gratitude in our hearts. As Xu Shen put it, "those who cover the characters, the foundation of the art of the classics, the beginning of the king's government, so the forefathers hang the ancient times." Later generations knew the ancient times. Therefore, "the study of the psychology of Chinese character culture has its unique significance in grasping history and culture, but it also has its limitations. Although Chinese characters are based on pictographs, it has its advantages to comb the cultural context for us, but the pictographic symbols are not the reflection of objective graphics after all. At the same time, the use of Chinese characters to reflect social history and culture is objective. At the same time of integrity and irreplaceable, after all, there are some limitations which can not be overcome by itself in the aspects of quantification, concrete process and detail, etc.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H122

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