河北一平调方言声调问题研究

发布时间：2018-03-04 22:31

本文选题：河北方言一平调　切入点：平声演变　出处：《河北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：本论文将河北一平调方言作为研究对象，探究一平调方言声调的有关问题。笔者对103个方言点进行田野调查，并研究河北各地的硕博学位论文，确定一平调方言点23个。本论文分设四个章节，第一章对河北一平调方言的分布及声调作系统描写，第二章描写一平调方言的平声演变情况，第三章研究描写一平调方言的调型及连读变调，第四章归纳一平调方言入声的舒化规律。通过四个章节的研究，我们得出以下结论：一平调方言点主要分布于北部的张家口地区和中南部的石家庄、沧州和唐山、保定等地。这些方言点又可以分为两种类型，一是平声不分阴阳类，二是部分平声字他派类。一平调方言平声字演变情况有三种：第一种是古平声字不论声母清浊今仍读为平声，代表点主要是张家口和石家庄一平调的大部分地区。第二种是多数方言点以古声母的清浊为条件，清声母平声字仍读为平声，浊声母平声字则派入到上声，代表点是沧州东部各点和定州市。第三种以鹿泉话为代表，古平声字在该方言点大部分归派到去声，并且如何归派跟古声母的清浊没有关系。一平调方言点的声调调型可以概括为“平升曲降促”。在连读变调中，平调型多变为降调或升调，升调型多变为降调或平调，曲折调或者降低曲折幅度或者变为降调，，降调变调时一般变为平调，促调变调情况相对复杂。古音来源对连读变调的影响在一平调方言点仍有体现，在有的方言点可以根据变调的不同分辨出其古音来源。一平调方言点清声母入声字的舒化规律大体上是派入到平上去三声，规律性不强。全浊声母入声字在沧州、保定片以归派到上声为主，石家庄、唐山片以归派到平声为主，灵寿话主要派入去声，次浊声母入声字以派入到去声为主。
[Abstract]:In this paper, Hebei Pingtong dialect is taken as the object of study, and some problems related to the tone of this dialect are explored. The author makes a field investigation of 103 dialect points, studies the Shuo Bo degree thesis in various parts of Hebei Province, and determines 23 dialects of one level dialect. This thesis is divided into four chapters. The first chapter systematically describes the distribution and tone of Hebei Pingtou dialect, the second chapter describes the evolution of flat tone, the third chapter studies the tone type and successive tone variation of one flat tone dialect. Chapter 4th sums up the relaxation law of a Pingdiao dialect. Through the study of four chapters, we draw the following conclusions:. The first dialect is mainly distributed in Zhangjiakou region in the north and Shijiazhuang, Cangzhou, Tangshan and Baoding in the central and southern part of China. These dialects can be divided into two types, one is that Pingsheng is not divided into yin and yang, and the other is part of Pingsheng. There are three kinds of evolutional patterns in a flat tone dialect. The first is that ancient Pingsheng characters are still pronounced as flat sound regardless of whether the original consonant is pure or not. The representative points are mainly in most areas of Zhangjiakou and Shijiazhuang leveling. The second is that most dialect spots are conditioned by the clear turbidity of the ancient consonants. The third is represented by Luquan dialect, in which most of the ancient Pingsheng characters are assigned to the dissonant, and how to do so has nothing to do with the purge of the ancient consonants. The tone type of a flat dialect can be summed up as "flat rise or fall". In continuous tone changes, the horizontal tone becomes more of a descending or ascending tone, the ascending type more of a descending tone or a flat tone, and a tortuous tone or a zigzag modulation or a descending tone. The influence of the ancient tone source on the continuous tone change is still reflected in the point of a flat tone dialect, and the origin of the ancient tone can be distinguished according to the different tone changes in some dialect points. On the whole, in the first dialect, the rules of relaxation of the initial consonants in the first dialect were, on the whole, three tones in Pingshang, but no strong regularity. In Cangzhou, all turbid consonants were entered, Baoding films were mainly assigned to Shangsheng, and Shijiazhuang and Tangshan films were mainly assigned to flat sounds. Lingshou dialect mainly sent into the sound, the second-turbid consonant into the word to send into the main sound.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H172

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