曹禺戏剧舞台指示语言中的“着”字句研究

发布时间：2018-04-09 20:32

  本文选题：曹禺戏剧语言　切入点：“着”字句　出处：《中南民族大学》2015年硕士论文

【摘要】：曹禺戏剧作品在我国现当代戏剧史上具有重要的地位。曹禺戏剧作品语言规范、典雅,技巧纯熟,是语言艺术的瑰宝。他的戏剧舞台指示语言特色鲜明,值得研究和借鉴。学术界对曹禺戏剧舞台指示语言的研究虽然有一些成果问世,然而到目前为止,还不够集中,不够深入、系统,可以说还处于粗浅的分散状态,这与曹禺的文学地位,与曹禺高超的语言表达艺术,与曹禺舞台指示语言的巨大艺术价值很不相称。本文以曹禺戏剧作品为考察对象,运用“小三角”的理论和方法,研究曹禺戏剧舞台指示语言中的“着”字句,探讨其语表形式、语里意义和语用价值,挖掘曹禺戏剧舞台指示语言的艺术精髓。第一章:绪论,介绍本选题的意义,包括曹禺戏剧语言的研究价值和曹禺戏剧语言及戏剧舞台指示语言的研究现状、主要内容、研究方法及语料来源。第二章:曹禺戏剧舞台指示语言中“着”字句的语表分析。分析曹禺戏剧舞台指示语言中“着”字句的语表形式及其特征;对其进行分类统计,逐一分析各个类型的语表特征。第三章:曹禺戏剧舞台指示语言中“着”字句的语里分析。阐述“着”字句的前、中、后三段的语里意义和前、中、后三段之间的语义关系。第四章:曹禺戏剧舞台指示语言中“着”字句的语值分析。分别从展示舞台时空、构拟现实语境、刻画人物形象、凸现戏剧冲突、强化语言功能和体现风格特点等方面说明曹禺戏剧舞台指示语言中“着”字句的语用价值。结语:论述本研究的创新点和不足以及今后进一步研究的问题。
[Abstract]:Cao Yu's dramatic works play an important role in the history of modern and contemporary drama in China.Cao Yu drama works language standard, elegant, skillful, is the treasure of language art.His theatrical stage instruction language has distinctive characteristics, which is worth studying and drawing lessons from.Although there have been some achievements in the research of Cao Yu's theatrical indicative language in the academic circles, so far, it is not concentrated enough, deep enough, systematic, it can be said that it is still in a superficial state of dispersion, which is related to the literary status of Cao Yu.The art of expressing with Cao Yu's superb language is out of proportion to the great artistic value of Cao Yu's stage instruction language.Taking Cao Yu's dramatic works as the object of investigation, using the theory and method of "Little Triangle", this paper studies the "Zhe" sentence in Cao Yu's theatrical stage deixis, and probes into its form, meaning and pragmatic value.Explore the artistic essence of Cao Yu's theatrical stage instruction language.Chapter one: introduction, introduces the significance of this topic, including the research value of Cao Yu's drama language, the research status, the main contents, the research methods and the source of the corpus of Cao Yu drama language and theatrical stage deixis language.Chapter two: the analysis of the sentence of "Zhe" in Cao Yu's theatrical deixis.This paper analyzes the forms and features of the "Zai" sentences in Cao Yu's theatrical stage deixis, classifies them, and analyzes the features of each type of words one by one.The third chapter: Cao Yu drama stage deixis the language analysis of the word "Xue" in the language.This paper expounds the semantic relationship between the former, the middle and the latter three paragraphs.Chapter four: the value analysis of the "Zhe" sentence in Cao Yu's theatrical stage deixis.From the aspects of displaying stage space-time, constructing realistic context, portraying characters, highlighting dramatic conflicts, strengthening language functions and embodying style characteristics, this paper explains the pragmatic value of the "Zhe" words in Cao Yu's theatrical stage deixis.Conclusion: this paper discusses the innovation and deficiency of this study and the problems of further research in the future.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：H146
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本文编号：1728037