概念整合理论视阈下的杨柳意象研究

发布时间：2018-05-23 15:00

本文选题：概念整合理论 + 诗歌语篇　；参考：《长沙理工大学》2013年硕士论文

【摘要】：古典诗歌作为传统文化的奇葩，是中华民族文化遗产中极为珍贵的一部分，因此，一直备受中外学者的关注。诗歌意象作为诗歌语篇的基本构成要素，乃是诗歌的灵魂和生命。诗歌创作的过程，就是为诗者通过描写客观物象来隐晦地烘托主观意象，从而表达个人真实情感的过程。诗人营造的意象，是千百年来民族文化的积淀，是烙刻在人们心中的情感符号，它们传递着某种特殊的情感。杨柳意象作为典型的自然意象，在中国传统文化中占据着重要位置，一直备受诗人的青睐，它是中国古典诗歌中使用频率最高的意象之一。长期以来，对于中国古典诗歌中杨柳意象的研究，主要是从传统的美学、修辞、文化等方面入手，而从认知语言学的角度展开研究并不多见。文章运用认知语言学中的概念整合理论，对中国古典诗歌中杨柳意象进行认知分析。针对杨柳意象的情感内涵，通过一系列心理运作机制，探寻了古诗中杨柳意象的动态意义的构建过程，此外，通过概念整合网络对杨柳意象进行了个案分析，揭示了概念整合理论是普遍存在的认知机制，它对不同的杨柳意象都具有强大的解释力。文章发现，杨柳意象的频繁使用并非偶然，而是诗人能动的选择，以释放出其内心深处的某种特定情感。杨柳意象并不是孤立地存在，在诗人笔下，它通常与其他各种意象并置，，读者只有将杨柳意象与语篇中的其他意象映射连接，并通过背景知识的渗透，方能使杨柳意象的意义明确化、定向化，从而真正追踪诗人的心理轨迹，获解诗人营造杨柳意象的真实意图。文章认为，对杨柳意象进行概念整合分析的认知方式，能积极地扩展读者的认知视野，为探寻中国古典诗歌中的杨柳意象提供了新的视角，同时也有利于读者更为深入地理解概念整合理论，为古典诗词的赏析与传播开辟新的门径。
[Abstract]:As a wonderful work of traditional culture, classical poetry is an extremely precious part of the cultural heritage of the Chinese nation. Therefore, it has always attracted the attention of Chinese and foreign scholars. As a basic component of poetic discourse, poetic image is the soul and life of poetry. The process of poetry creation is the process of expressing one's real feelings by describing objective objects to obscure subjective images. The images created by poets are the accumulation of national culture for thousands of years and the emotional symbols engraved in people's hearts. As a typical natural image, willow image occupies an important position in Chinese traditional culture and has always been favored by poets. It is one of the most frequently used images in Chinese classical poetry. For a long time, the study of willow image in Chinese classical poetry has been mainly from the aspects of traditional aesthetics, rhetoric, culture and so on, but few studies have been carried out from the perspective of cognitive linguistics. Based on the theory of conceptual integration in cognitive linguistics, this paper makes a cognitive analysis of willow images in Chinese classical poetry. In view of the emotional connotation of willow image, this paper explores the process of constructing the dynamic meaning of willow image in ancient poetry through a series of psychological operating mechanisms. In addition, it makes a case study of willow image through conceptual integration network. It is revealed that conceptual integration theory is a universal cognitive mechanism, and it has a strong explanatory power to different willow images. It is found that the frequent use of willow imagery is not accidental, but a poet's active choice to release a certain emotion in his heart. The willow image does not exist in isolation. In the poet's works, it is usually juxtaposed with other images. The reader only maps the willow image with other images in the text and penetrates the background knowledge. In order to make the meaning of willow image clear and orientated, we can really trace the poet's psychological track and get the true intention of the poet to create the willow image. The paper holds that the cognitive mode of conceptual integration analysis of willow images can actively expand the readers' cognitive horizons and provide a new perspective for exploring the willow images in Chinese classical poetry. At the same time, it is helpful for readers to understand the theory of conceptual integration more deeply and open a new way for the appreciation and dissemination of classical poetry.
【学位授予单位】：长沙理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I207.2;H15

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