阿来《尘埃落定》语言美感的修辞学研究

发布时间：2018-05-27 14:00

本文选题：阿来 + 《尘埃落定》　；参考：《天津大学》2013年硕士论文

【摘要】：《尘埃落定》是作家阿来的经典代表作之一，作品以独特的藏族视角书写了一部波澜壮阔的藏族史诗，取得了巨大的社会反响。《尘埃落定》的成功源于作品本身极富传奇色彩的故事选材，更源于作品所使用的极富美感的语言。《尘埃落定》的语言美感不是来源于单一的语言风格，，而是来自多种语言风格的有机整合。多种语言风格相互融合造就了作品独特的语言美感。《尘埃落定》的文学语言所具有的丰富多元的语言美感极大地提高了作品语言的表达效果，增加了作品的艺术魅力。本文从作品的语言本身出发，从修辞学视角对整部作品展开审视。以语音、词汇、辞格、句式四个修辞层面为主要研究对象，对《尘埃落定》在语音特色、词语选用、修辞格使用和句式安排上表现出的特点加以总结分析，全面的了解了作品语言美感的来源。明快灵动之美，含蓄厚重之美以及民族风情之美作为作品语言美感的三个主要来源，在各种修辞手法的综合运用中完成了有机整合，共同构成了《尘埃落定》丰富多元的整体语言美感。与此同时，《尘埃落定》语言美感的形成还同作家独特的人生经历与文学思想有着密不可分的联系。总之，对《尘埃落定》语言美感的修辞学分析为我们了解作者的创作倾向，理解作家的创作目的，更加深入的理解作品本身提供了一个崭新的视角。
[Abstract]:Settled dust is one of the classic masterpieces of the writer Alai, whose works have written a magnificent Tibetan epic from a unique Tibetan perspective. Great social repercussions have been achieved. The success of the Dust settles stems from the legendary selection of stories in the work itself, and more from the extremely beautiful language used in the work. The aesthetic sense of the language of the Dust settles does not come from a single language style. It is organic integration from multiple language styles. The fusion of various language styles creates a unique aesthetic sense of language in the works. The rich and diverse linguistic aesthetic sense of literary language greatly improves the expression effect of the language and increases the artistic charm of the works. Starting from the language itself, this paper examines the whole work from the perspective of rhetoric. Taking the four rhetorical aspects of phonology, vocabulary, rhetoric and sentence pattern as the main research objects, this paper summarizes and analyzes the characteristics of the Phonetics, the choice of words, the use of rhetorical devices and the arrangement of sentence patterns. A comprehensive understanding of the source of aesthetic language works. As the three main sources of aesthetic sense of language, the beauty of lightness and intelligence, the beauty of implication and the beauty of national amorous feelings, as the three main sources of aesthetic sense of language in the works, have completed the organic integration in the comprehensive application of various rhetorical devices. Together constitute the "dust settled" rich and diverse aesthetic sense of the whole language. At the same time, the formation of the aesthetic sense of language is closely related to the writer's unique life experience and literary thought. In a word, the rhetorical analysis of the aesthetic sense of language provides a new perspective for us to understand the author's creative tendency, to understand the writer's creative purpose, and to further understand the works themselves.
【学位授予单位】：天津大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H15

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