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《天香》的艺术美与修辞

发布时间:2018-11-12 09:40
【摘要】:王安忆是中国当代文坛享誉盛名的作家,三十多年的创作历程中,她在不断地丰富着自己作品内容的同时也孜孜不倦地追求着创作的特色。从早期抒情色彩浓厚的描述性语言,发展到中期纷繁复杂的抽象化语言,再到近期含蓄蕴藉、典雅中正的叙述性语言,经历了几次多变的风格之后,她似乎重新认识到中国古典小说在艺术上取得的集大成就。《天香》这部小说就是她充分汲取了中国古典小说的审美传统,用简洁雅致、古典凝练的笔墨描绘的一幅古上海闺阁女子的传奇故事。 本文从修辞学角度出发,运用语言学、文艺学、修辞学、美学等相关学科的理论,,采取定量统计和定性分析相结合、文学批评和修辞分析相结合等研究方法,探讨《天香》的艺术美和修辞的关系。 论文分为五大部分:绪论、《天香》的节律美、《天香》的古典美、《天香》的俗情美和结语。绪论简介《天香》的思想内容和研究现状,概说本文的意义、研究的视角和方法等;第二部分主要从语音、词语、语句和语段这四个层面分析《天香》的节律美及其修辞表现,考察作品语言形式与修辞的关系;第三部分主要从古典诗歌、绘画、戏曲和小说对《天香》写作技法运用的影响入手,分析了作品内容与修辞的关系;第四部分主要从作者的创作理念、小说文本的细节体现和小说思想的现当代启示等方面,考察了小说思想与修辞的关系;结语概要总结了全文,并对课题相关研究提出建议。 在《天香》中,王安忆始终坚持着一个审美标准,那就是小说的艺术美与修辞有着密切的联系。正是在这个标准的指导下,本文从微观修辞和宏观修辞两个方面对《天香》进行系统的归纳、分析和研究,从而对这部作品的艺术特色有一个整体的理解和把握。
[Abstract]:Wang Anyi is a famous writer in the contemporary Chinese literary world. In the course of more than 30 years of creation, she is constantly enriching the content of her works and pursuing the characteristics of creation. From the descriptive language of the early lyric color to the complicated abstract language in the middle of the period, to the narrative language, which is implicit and elegant in the near future, after several times of changing styles, She seems to have rediscovered the artistic achievements of Chinese classical novels. This novel is that she has fully absorbed the aesthetic tradition of Chinese classical novels and used simplicity and elegance. Classic condensed ink depicts a legendary story of an ancient Shanghai boudoir woman. From the perspective of rhetoric, using the theories of linguistics, literature and art, rhetoric, aesthetics and so on, this paper adopts the research methods of combining quantitative statistics with qualitative analysis, literary criticism and rhetoric analysis, etc. This paper probes into the relationship between artistic beauty and rhetoric in Tian Xiang. The thesis is divided into five parts: introduction, rhythmic beauty of Tian Xiang, classical beauty of Tian Xiang, and vulgar feeling beauty and conclusion of Tian Xiang. The introduction introduces the thought content and the research present situation of "Tianxiang", generalizes the meaning of this article, the angle of view and the method of the research, etc. The second part mainly analyzes the rhythmic beauty and rhetorical expression of Tianxiang from the four aspects of pronunciation, words, sentences and paragraphs, and investigates the relationship between the form of language and rhetoric. The third part analyzes the relationship between the content of the works and rhetoric from the influence of classical poetry, painting, drama and novels on the use of writing techniques in Tianxiang; The fourth part mainly from the author's creation idea, the novel text detail embodiment and the novel thought modern and contemporary enlightenment and so on, examines the novel thought and the rhetoric relations, the conclusion summarizes the full text, and puts forward the suggestion to the topic related research. In Tian Xiang, Wang Anyi always adheres to an aesthetic standard, that is, the artistic beauty of novels is closely related to rhetoric. It is under the guidance of this standard that this paper systematically induces, analyzes and studies Tianxiang from two aspects of micro rhetoric and macro rhetoric, so as to have an overall understanding and grasp of the artistic characteristics of this work.
【学位授予单位】:湖北师范学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:H15;I207.42

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