现代中文歌词韵律初探
发布时间：2018-11-15 07:04
【摘要】：现代中文歌词是有别于中国诗歌的一种文学新形式符号。歌词贵平易、诗多深奥，歌词贵感性、诗多智性，歌词贵直露、诗多掩饰，歌词贵清晰、诗多歧义，歌词讲究朗朗上口，节奏紧凑、诗歌多婉转，曲径通幽。 纵览古今，中国古代歌词早已是文学经典的一部分，长期受到学术界的高度重视，即便是散佚在民间的歌词，例如敦煌俗曲等，都有大量的文献对其进行细致地研究。然而与此相反的是，现代中文歌词较少受到学者们关注，以至于到目前仍未形成一个专有的研究，留下大量空白急待填补。 本论文试图从语言学角度紧抓现代歌词韵律的特点，主要以孟欣等主编、现代出版社出版的《同一首歌》系列歌本为例，选取“流行”、“民族”、“影视”三大主题歌曲的歌词作为研究语料，着重分析歌词的平仄格律、用韵特点等属性，强调以具体数据为依据，深入研究现代中文歌词的韵律特点。 论文分成五章。第一章为绪论，包括研究的目的、意义、主要方法、范围及背景等。第二章介绍现代歌词平仄格律的运用情况，第三章对现代歌词的用韵进行详细分析，第四章则通过统计数据比较“流行”、“民族”、“影视”三大主题歌词的综合韵律情况。第五章是结论，，阐述学位论文的主要结果及论点的总体概括。 全文通过运用多角度的属性设置及标记、分类及综合统计、比较分析及归纳等方法，深度探索现代中文歌词独特的韵律特征，力求在歌词韵律方面为语言学的研究与应用做出微薄的贡献。
[Abstract]:Modern Chinese lyrics are a new form of literary symbol different from Chinese poetry. The lyrics are easy, the poems are more profound, the lyrics are more perceptual, the poems are more intelligent, the lyrics are expensive, the poems are more concealed, the lyrics are expensive and clear, the lyrics are more ambiguous, the lyrics are exquisite, the rhythm is tight, the poetry is more tactful, the twists and turns are secluded. The lyrics of ancient China have long been a part of literary classics, and have been attached great importance by the academic circles for a long time. Even the lyrics lost in the folk, such as Dunhuang folk songs, have been studied in great detail by a large number of documents. However, in contrast, modern Chinese lyrics are less concerned by scholars, so far there has not been a proprietary study, leaving a large number of gaps to be filled. This paper attempts to grasp the rhythm of modern lyrics from the linguistic point of view, mainly taking Meng Xin and other editor-in-chief and modern publishing house published the same song series as an example, select "popular", "the nation". The lyrics of the three major theme songs in Movie and TV are used as the research materials, focusing on the analysis of the rhythm of the lyrics, the characteristics of rhyme and other attributes, and emphasizing that, based on the concrete data, the prosodic characteristics of the lyrics of modern Chinese are deeply studied. The paper is divided into five chapters. The first chapter is the introduction, including the purpose, significance, main methods, scope and background of the research. The second chapter introduces the application of the modern lyric, the third chapter analyzes the rhyme of the modern lyric in detail, and the fourth chapter compares the comprehensive prosody of the lyrics of "popular", "nation" and "film and television" by statistical data. The fifth chapter is the conclusion, expounding the main results and the general summary of the thesis. By using multi-angle attribute setting and marking, classification and comprehensive statistics, comparative analysis and induction, this paper explores in depth the unique prosodic features of modern Chinese lyrics. To make a modest contribution to the research and application of linguistics in the aspect of lyric prosody.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H116
本文编号：2332495
[Abstract]:Modern Chinese lyrics are a new form of literary symbol different from Chinese poetry. The lyrics are easy, the poems are more profound, the lyrics are more perceptual, the poems are more intelligent, the lyrics are expensive, the poems are more concealed, the lyrics are expensive and clear, the lyrics are more ambiguous, the lyrics are exquisite, the rhythm is tight, the poetry is more tactful, the twists and turns are secluded. The lyrics of ancient China have long been a part of literary classics, and have been attached great importance by the academic circles for a long time. Even the lyrics lost in the folk, such as Dunhuang folk songs, have been studied in great detail by a large number of documents. However, in contrast, modern Chinese lyrics are less concerned by scholars, so far there has not been a proprietary study, leaving a large number of gaps to be filled. This paper attempts to grasp the rhythm of modern lyrics from the linguistic point of view, mainly taking Meng Xin and other editor-in-chief and modern publishing house published the same song series as an example, select "popular", "the nation". The lyrics of the three major theme songs in Movie and TV are used as the research materials, focusing on the analysis of the rhythm of the lyrics, the characteristics of rhyme and other attributes, and emphasizing that, based on the concrete data, the prosodic characteristics of the lyrics of modern Chinese are deeply studied. The paper is divided into five chapters. The first chapter is the introduction, including the purpose, significance, main methods, scope and background of the research. The second chapter introduces the application of the modern lyric, the third chapter analyzes the rhyme of the modern lyric in detail, and the fourth chapter compares the comprehensive prosody of the lyrics of "popular", "nation" and "film and television" by statistical data. The fifth chapter is the conclusion, expounding the main results and the general summary of the thesis. By using multi-angle attribute setting and marking, classification and comprehensive statistics, comparative analysis and induction, this paper explores in depth the unique prosodic features of modern Chinese lyrics. To make a modest contribution to the research and application of linguistics in the aspect of lyric prosody.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H116
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