从语篇体裁的社会目的看戏剧翻译策略的选择 ——以《阴道独白》的两个中译本为例

发布时间：2021-08-21 17:15

　　就戏剧翻译而言,以往相当长的时间内,人们一直把注意力放在戏剧的双重属性上,即“可读性”和“可演性”,同时也把戏剧属性作为翻译质量的评估标准,但戏剧翻译理论家似乎并没有追溯到戏剧的语篇体裁问题。根据Martin（2004/2006:505）,语篇体裁是有目的的、分阶段的社会过程。因此,戏剧,作为一种语篇体裁,也是通过社会目的来定义的。评估翻译也应该从语篇体裁的社会目的出发。本研究通过分析《阴道独白》两个中译本,探讨了译者如何选择翻译策略,最终使原语文本和目的语文本达到语篇体裁社会目的的对等。戏剧的社会目的在于娱乐观众。因此,观众在社会目的实现上起着非常重要的作用,翻译策略的选择首先必须要考虑到观众的接受。这就在宏观上要求译者采取增删策略,对原语文本的语料做出选择;但不同的译者选取不同的语料,本文将会分析两位译者为了达到戏剧社会目的的对等是怎样对原语文本材料做出选择的。语篇体裁通过语域实现。语域是位于语篇体裁之下的一个层面,由三个变量组成:语义场（Field）,语旨（Tenor）和语式（Mode）三个变量构成,每个变量与一种语言元功能相联系。语义场与概念功能紧密相连,通过词汇—语法层的及物... 

【文章来源】：广东财经大学广东省

【文章页数】：124 页

【学位级别】：硕士

【文章目录】：
ABSTRACT
摘要
LISTS OF FIGURES, TABLES and DIAGRAMS
ABBREVATIONS
CONTENTS
CHAPTER I INTRODUCTION
    1.1 General statement
    1.2 Research Questions
    1.3 Research Rationale
    1.4 Significance of the present research
    1.5 Research Methodology and Data Collection
    1.6 Organization of the Present Thesis
CHAPTERⅡ LITERATURE REVIEW
    2.1 A review of previous Studies on the Translation Equivalence
        2.1.1 Nida: Formal Equivalence, Dynamic Equivalence and Functional Equivalence
        2.1.2 Catford: Formal Correspondence and Textual Equivalence
        2.1.3 Koller: Hierarchy of Equivalence
        2.1.4 Newmark: Equivalent Effect in Semantic translation and Communicative Translation
        2.1.5 Studies Made at Home on the Issue of TE
    2.2 Studies on the Translation Issues from the Perspective of SFG
        2.2.1 Halliday’s Perspective of Equivalence
        2.2.2 House: Equivalence in Respect to Covert Translation and Overt Translation
        2.2.3 Hatim and Mason: A Semiotic Approach to Translation
        2.2.4 Baker: A Bottom-up Method of Approaching TE
        2.2.5 Steiner: Register-based TE
        2.2.6 Studies on the Translation Issues at Home from the Perspective of SFG
    2.3 A Review on the Studies of the Translation of Drama
        2.3.1 Bassnet: the Performability in Drama Translation
        2.3.2 Studies of Drama Translation at Home
    2.4 Studies on the Translation of The Vagina Monologues
    2.5 Summary
CHAPTER III THEORETICAL FRAMEWORK
    3.1 The Notion of context
        3.1.1 Malinowski’s Perspective of Context
        3.1.2 Firth’s Perspective of Context
        3.1.3 Halliday’s Notion of Context
        3.1.4 Martin’s Stratified Model of Context
    3.2 Genre: context of culture
    3.3 Register: context of Situation
        3.3.1 Field
        3.3.2 Tenor
        3.3.3 Mode
    3.4 Language Metafunctions
        3.4.1 Ideational Metafunction
        3.4.2 Interpersonal Metafunction
        3.4.3 Textual Metafunction
    3.5 Towards Equivalence on the Genre Level
    3.6 Summary
CHAPTER IV PRACTICAL ANALYSIS OF THE TWO TRANSLATED VERSIONS OF THE VAGIANA MONOLOGUES
    4.1 The Social Purpose of Drama and Data Choice
    4.2 Translation Strategies and Ideational equivalence
        4.2.1 Ideational Equivalence Achieved through the Strategy of Preserving the ST Transitivity Processes
        4.2.2 Ideational Equivalence Achieved through the Strategy of Altering the ST Transitivity Processes
        4.2.3 Summary
    4.3 Translation strategies and Interpersonal equivalence
        4.3.1 Interpersonal equivalence achieved by the strategy of preserving the original chain of Modality
        4.3.2 Interpersonal equivalence achieved through the strategy of preserving the original evaluation of Attitude
        4.3.3 Summary
    4.4 Translation strategies and Textual equivalence
        4.4.1 Textual equivalence achieved by the strategy of preserving the original thematic progression
        4.4.2 Textual equivalence achieved by the strategy of preservation and alteration
        4.4.3 Summary
CHAPTER V CONCLUSION
    5.1 Main Findings of the Research
    5.2 Pedagogical Implications
    5.3 Limitations of the Current Research and Suggestions for Further Study
BIBLIOGRAPHY
APPENDIX
ACKNOWLEDGEMENTS



本文编号：3356015