音乐节律特征的通感隐喻分析

发布时间：2022-02-24 16:26

　　通感隐喻是语言中普遍存在的现象,而从认知角度看,通感隐喻不但是一种修辞手段,而且也是一种认知现象,它表现为感官特征之间的映射过程。音乐中包含着丰富的情感体验和视觉景象。不同的音高、音强和音长能够引发其他感官相应的感受。事实上,听觉感受和非听觉性体验的产生正是一种通感现象。本文以一些古典音乐片段为分析样本,运用实证检验和理论详解的方法对音乐节律中的三个特点——音高、音强、音长——进行通感隐喻研究,旨在说明以通感隐喻和体验观为理论基础的通感隐喻能够有效地解释理解音乐的过程,同时证明个体经验是音乐理解和想象的基础。本研究为音乐审美研究开辟了一个新的角度,同时也扩大了隐喻及体验观的解释范围。 

【文章来源】：华北电力大学(北京)北京市211工程院校教育部直属院校

【文章页数】：85 页

【学位级别】：硕士

【文章目录】：
摘要
ABSTRACT
Chapter One Introduction
    1.1 Research background
    1.2 Methodology
    1.3 Significance of the research
    1.4 Outline of the thesis
Chapter Two Literature Review
    2.1 Research on musical expression in terms of aesthetics
        2.1.1 Research in China
        2.1.2 Related research abroad
    2.2 Research on musical expression in terms of psychology
    2.3 Research on synesthesia in terms of cognitive linguistic
Chapter Three Theoretical Framework
    3.1 Definition of metaphor
        3.1.1 Metaphor as a figure of speech
        3.1.2 Metaphor as a cognitive instrument
    3.2 Definition of synesthesia
    3.3 The relationship between synesthetic metaphor and musical expression
    3.4 Embodiment:the ground of metaphor
Chapter Four A Synesthetic Metaphorical Analysis of Musical Rhythmic Features
    4.1 Synesthetic metaphor and pitch
        4.1.1 Synesthetic metaphor and pitch by visual brightness
        4.1.2 Synesthetic metaphor and pitch by mood excitability
        4.1.3 Synesthetic metaphor and pitch by space perception
        4.1.4 Synesthetic metaphor and pitch by physical property
        4.1.5 Summary
    4.2 Synesthetic metaphor and intensity
        4.2.1 Synesthetic metaphor and intensity by power and energy
        4.2.2 Synesthetic metaphor and intensity by mood
        4.2.3 Synesthetic metaphor and intensity by physical property
        4.2.4 Synesthetic metaphor and intensity by space perception
        4.2.5 Summary
    4.3 Synesthetic metaphor and duration
        4.3.1 Synesthetic metaphor and duration by space perception
        4.3.2 Synesthetic metaphor and duration by physical property
        4.3.3 Synesthetic metaphor and tempo/rhythm by physical motion
        4.3.4 Synesthetic metaphor and tempo/rhythm by mood motion
        4.3.5 Summary
Chapter Five Conclusion
    5.1 Major Conclusions Reached in the Thesis
    5.2 Limitations of the research
    5.3 Suggestions for further research
Bibliography
Acknowledgements
Appendix Ⅰ
Appendix Ⅱ
Publication


【参考文献】：
期刊论文
[1]通感·联想·认知[J]. 汪少华.  现代外语. 2002(02)
[2]音乐创作心理初探[J]. 张前.  中央音乐学院学报. 1984(01)



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