新世纪维吾尔诗歌韵律研究

发布时间：2018-03-15 00:10

本文选题：新世纪　切入点：维吾尔诗歌　出处：《新疆师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：人类艺术文学之母—诗歌具有和声及相应规矩,此特点使她区别于叙述作品。使诗歌具备和声的因素不少,但韵律是其中最关键。它会能够增加诗歌的音乐性和艺术性。虽然韵律是诗歌领域的共同现象,但随着各时期人类对艺术和押韵的认识的更新,而会更新。但维吾尔现当代诗歌历史,还没有有过专项研究。如可说有,那不但概念模糊未统一,而且押韵类别,押韵艺术类别,押韵形式类别等这三个的区别都没有搞清;同一个类别的称呼都不同。达到任何一个高度都有相应的指导理论。意识到此点的古典长辈诗人早已建立诗歌创作有关的指导原理和评价标准,并创作过程中严格遵守,创造了先进模范作品,但现代没有。在此论文,指出在以前的研究上存在的一系列问题之外,结合古典传统,以模范带头诗人创作作品为对象,对新世纪维吾尔诗歌中的押韵问题进行了较全面、科学的研究。本论文的内容包括绪论,四章主题内容和结束语。绪论部分介绍本论文题目的选择、意义、研究对象,题目的国内外研究情况、研究方向,题目研究的难点和论文所采用的研究方法等内容。第一章主要押韵从广义狭义两方面讲解,并研究韵律来源,韵律的审美效果,韵律在诗歌中的地位、作用及限制性。第二章引出新世纪维吾尔诗歌的总体状况和特点,并存在的问题;主要研究新世纪维吾尔诗歌个韵律特点,韵律类别等。第三章研究新世纪维吾尔诗歌的韵律艺术、韵律艺术类别、韵律形式及诗歌形式。第四章简单介绍高唱回鹘时期和察合台时期维吾尔诗歌的押韵标准,同时议论继承押韵传统与创新情况,并对押韵的未来状况和倾向提出了猜想。文章结束语指出此研究取得的成绩及存在的弱点,并指出本领域的研究空虚。
[Abstract]:The mother of human art literature-poetry has harmony and corresponding rules, which distinguishes her from narrative works. There are many factors that make poetry have harmony. But rhythm is the most important one. It can increase the musical and artistic nature of poetry. Although rhythm is a common phenomenon in the field of poetry, with the renewal of human understanding of art and rhyme in various periods, But there is no special research on the history of modern and contemporary Uygur poetry. If there is, not only the concept is vague and not unified, but also the three distinctions of rhyme category, rhyme art category, rhyme form category and so on are not clear. There are different forms of address in the same category. There are corresponding guiding theories at any height. The classical poets who realize this point have already established the guiding principles and evaluation standards related to the creation of poetry, and have strictly followed in the process of writing, Advanced and exemplary works have been created, but not in modern times. In this paper, it is pointed out that in addition to a series of problems existing in previous studies, and in combination with classical tradition, the object of this paper is the creation of works by exemplary and leading poets. This paper makes a comprehensive and scientific study of rhyme in Uygur poetry in the new century. The contents of this thesis include introduction, four chapters and concluding remarks. The introduction part introduces the choice of title, significance and research object of this paper. The domestic and foreign research situation of the topic, the research direction, the difficulty of the topic research and the research method adopted in the thesis. The first chapter mainly explains the rhyme from two aspects of broad sense and narrow sense, and studies the prosodic origin, the aesthetic effect of prosody, and so on. The second chapter introduces the general situation and characteristics of Uyghur poetry in the new century, and the existing problems, mainly studies the characteristics of individual prosody of Uygur poetry in the new century. The third chapter studies the prosody art, the prosodic art category, the prosodic form and the poetic form of Uygur poetry in the new century. Chapter 4th briefly introduces the rhyme standards of Uygur poetry in the period of high singing Uighur and Chahetai period. At the same time, this paper discusses the inheritance of rhyming tradition and innovation, and puts forward a conjecture about the future situation and tendency of rhyming. The conclusion of this paper points out the achievements and weaknesses of this research, and points out the emptiness of the research in this field.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H215

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