吴语浊音声母的类型及其音系地位

发布时间：2018-04-16 10:36

  本文选题：吴语 + 浊音声母　； 参考：《方言》2017年03期

【摘要】：本文利用已有的吴语材料,从音系学的角度讨论吴语浊音声母与声调的关系,梳理出吴语清浊声母和阴阳调关系的四种类型。旨在说明:对于太湖片、台州片和瓯江片吴语来说,声母的清浊具有独立的音系学地位;江山方言的浊音与送气清音可以自由变读;宣州片铜泾小片读为擦音或近音。个别吴语不遵循单字调阴高阳低的原则,说明浊声母或许早已清化。尽管大多数吴语保留了"塞音三分"的重要特征,但也反映出了吴语内部的多样性。
[Abstract]:In this paper, from the perspective of phonology, this paper discusses the relationship between the vowel consonants and the tones of the Wu dialect, and sorts out four types of the relations between the turbid consonants and the yin and yang tones in the Qing Dynasty.For Taihu, Taizhou and Oujiang films, the pure turbidity of the consonant has an independent phonological status; the turbid and breathed clear sounds of Jiangshan dialect can be read freely; the Tongjing patch of Xuanzhou film is read as erasure or near tone.Individual Wu language does not follow the principle of single word regulating yin and high yang, indicating that turbid consonants may have already been purged.Although most Wu languages retain the important feature of the syllable, it also reflects the internal diversity of Wu dialect.
【作者单位】： 复旦大学中文系;
【基金】：国家社会科学基金一般项目“上海方音演变的社会语言学研究”(项目号:11BYY032)的阶段性成果
【分类号】：H173
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本文编号：1758549