《音韵日月灯》的入作去声现象——兼与“入声归去”、“入近去声”、“入似二声”论商榷

发布时间：2018-06-24 06:04

本文选题：《音韵日月灯》 + 入作去声　；参考：《语言研究》2016年04期

【摘要】：从《音韵日月灯》的入声读为去声现象看,"入作去声"并非自然音变,而是对读书音处理方式的指称,意即"入声在读书音中读作去声"。自然音变应称为"入声归去"。清代后期之前,近代汉语共同语语音具有浓厚的读书音色彩;共同语、读书音入声演变与方言所循路径不同。清代后期之前,近代汉语入声字的演变轨迹是,北方各方言有清入主要变平、上、去三种类型,共同语则保留入声调类,部分变读舒声者主要变读为去声。
[Abstract]:In view of the phenomenon that the entering sound of "phonetic Sun and Moon Lamp" is not natural sound change, it is a reference to the treatment of reading sound, which means "the entering sound is read in the reading sound as the de-sound". Natural sound change should be called "going back to the sound". Before the late Qing Dynasty, the pronunciation of modern Chinese common language had a strong color of reading sounds, and the common language, the evolution of reading sounds was different from the path followed by dialects. Before the late Qing Dynasty, the evolution of modern Chinese characters was that the northern dialects of the Qing Dynasty had three types, namely, the Qing Dynasty, the upper ones, and the three types, while the common words were retained into the tone category, and some of the people who changed the tone of the Chinese characters mainly changed into the deafening ones.
【作者单位】：浙江大学汉语史中心;
【分类号】：H114

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