洛特曼符号学思想的延伸研究
发布时间：2018-10-04 19:59
【摘要】：正在莫斯科 塔尔图符号学派中,洛特曼的符号学思想总有言说不尽的话题。人们不仅对洛特曼符号学思想本身进行过探讨,还从多种视角对其进行了很多相关的延伸性研究。本期刊出三篇文章,分别就节奏诗学、文本观、元修辞学等展开讨论。在第一篇文章中,管海莹将洛特曼在研究俄语诗歌史时的一个重要范畴——节奏诗学——置于别雷的创作之中进行分析。别雷将节奏诗学运用于其各类作品之中,通
[Abstract]:In Moscow's Tartu Semiotics, Lotman's semiotics always has inexhaustible topics. People have not only discussed the Lottman semiotics thought itself, but also carried on many related extension studies from various angles of view. Three articles were published in this issue, including rhythmic poetics, textual view and meta-rhetoric. In the first article, Guan Haiying analyzes Lotman's poetic history in Russian as an important category-rhythm poetics-in Beerley's creation. Beilai applied rhythmic poetics to his various works.
【作者单位】： 南京师范大学外国语学院;天津外国语大学语言符号应用传播研究中心;
【分类号】：H0
本文编号：2251681
[Abstract]:In Moscow's Tartu Semiotics, Lotman's semiotics always has inexhaustible topics. People have not only discussed the Lottman semiotics thought itself, but also carried on many related extension studies from various angles of view. Three articles were published in this issue, including rhythmic poetics, textual view and meta-rhetoric. In the first article, Guan Haiying analyzes Lotman's poetic history in Russian as an important category-rhythm poetics-in Beerley's creation. Beilai applied rhythmic poetics to his various works.
【作者单位】： 南京师范大学外国语学院;天津外国语大学语言符号应用传播研究中心;
【分类号】：H0
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