评价理论视域下选秀节目的身份建构研究

发布时间：2019-03-19 12:21

【摘要】：综艺选秀节目话语属于口语语篇,对话性突出,目前国内外已出现了大量的关于该类节目的研究,主要集中于新闻传播学和文学批评等领域。目前,对于选秀节目话语的评价性研究,特别是结合评价理论的身份建构研究并不多见,因此,这方面的研究具有一定的理论和实践意义。本文以评价理论的态度系统为框架,以选秀节目《中国好歌曲》中的导师话语为语料,通过定量和定性分析,发现不同评价资源的分布,解读其与身份建构的关系。研究发现:(1)蔡健雅评价中情感资源比重最大,其借助安全资源传达信任、英语式和独特的女性化评价表示满意,同时使用价值和细节表明对原创音乐的喜爱,构建了感性的、具有国际背景和音乐喜好丰富的新一代外籍女唱作人身份。(2)刘欢运用了较多的情感资源,其中快乐资源用以表达其关于音乐的解读较具特色。同时,行为规范、能力和质量资源用以传达了其对不同风格音乐的喜爱,这些资源建构了一个经验丰富、富有天分、知识渊博和具备多种音乐品味的唱作人。(3)杨坤的评价中负面评价突出,同时其运用平衡资源来联盟相同风格学员,使用较具特色的影响和质量资源作为评判标准,构建了一个敏感、细腻、严谨且坦诚并具有坎坷经历的唱作人。(4)周华健借助大量倾向资源表示其对中意选手的真诚与渴望,使用风趣、甚至降低身份的话语表达其对学员的音乐质量、影响和价值方面的成就的认可,构建了一个幽默乐观、心态年轻、具有台湾背景的唱作人。本研究从语言学的角度,借助评价理论解读中国选秀节目中的身份建构,在一定程度上检验了评价资源在汉语口语语篇中的应用。此外,从时效性来看,电视选秀节目是目前全球很受追捧的媒体节目,其孕育了一种新型的话语形式,对这一话语类型的研究可以帮助我们解读话语成功交际的原因,为其它汉语选秀节目的运作和开展提供重要指导和有益借鉴。因此,不论是从评价理论的应用还是话语发展的角度,本研究都具有一定的理论和现实意义。
[Abstract]:Variety talent program discourse belongs to oral discourse, dialogue is prominent, there have been a large number of domestic and foreign research on this kind of programs, mainly concentrated in the field of news and communication, literary criticism and other fields. At present, there are few studies on the evaluation of talent program discourse, especially the study of identity construction combined with evaluation theory. Therefore, the research on this aspect has certain theoretical and practical significance. In this paper, the attitude system of evaluation theory is used as the frame, and the teacher discourse in the draft show "good songs in China" is used as the corpus. Through quantitative and qualitative analysis, the distribution of different evaluation resources is found, and the relationship between the different evaluation resources and identity construction is interpreted. The results are as follows: (1) Cai Jianya has the largest proportion of emotional resources in his evaluation, which uses security resources to convey trust, English style and unique feminization evaluation, and at the same time uses value and detail to show his affection for original music. This paper constructs a new generation of foreign female singers who are perceptual, rich in international background and rich in music preferences. (2) Liu Huan uses more emotional resources, in which happy resources are used to express her interpretation of music. At the same time, code of conduct, ability and quality resources are used to convey their love for different styles of music, which construct an experienced and talented resource. (3) Yang Kun has outstanding negative evaluation in his evaluation, while he uses balanced resources to alliance students of the same style, and uses more distinctive influence and quality resources as the criteria for evaluation. Build a sensitive, delicate, rigorous and honest singer with rough experiences. (4) Zhou Huajian expressed his sincerity and desire for the favorite contestants with a great deal of inclined resources, and used fun. Even the discourse of reducing identity expresses its recognition of the students' achievements in terms of music quality, influence and value, and constructs a songwriter with a sense of humor, optimism, a young mind and a Taiwanese background. From the linguistic point of view, this study examines the application of evaluation resources in spoken Chinese discourse by interpreting the identity construction in Chinese draft programs with the help of evaluation theory. In addition, from the point of view of timeliness, TV talent shows are the most popular media programs in the world at present, which has bred a new form of discourse. The study of this discourse type can help us to understand the reasons for successful communication of discourse. It provides important guidance and useful reference for the operation and development of other Chinese draft programs. Therefore, whether from the perspective of the application of evaluation theory or the development of discourse, this study has certain theoretical and practical significance.
【学位授予单位】：广西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H15

【相似文献】