南昌采茶戏词汇研究

发布时间：2019-05-24 05:26

【摘要】：南昌采茶戏是首批进入国家级非物质文化遗产目录的戏曲,根据《保护非物质文化遗产公约》对非物质文化遗产的保护要求,我们要采取适当的措施有效保护非物质文化遗产,宣传、尊重和弘扬非物质文化遗产。但是从南昌采茶戏的现实发展情况来看,公众对其认识不够。到目前为止,公众对南昌采茶戏的认识只是停留在表面上,比如介绍南昌采茶戏的历史来源和发展现状等,忽视了从深层次研究南昌采茶戏的必要性,虽然有一些从音乐、文艺等方面入手的研究,但是从语言方面入手的研究还是比较缺乏,南昌采茶戏本质的语言特征有待深入挖掘。其原因有内部的,也有外部的。内部原因是南昌采茶戏自身的发展不能与社会时代的发展速度接轨等,外部原因是受到了其他文化的冲击以及人们思想观念的转变等。忽视南昌采茶戏会带来消极的影响,降低人们对南昌采茶戏的关注度和研究力度,对南昌文化的传播起到阻碍作用,甚至会影响到非物质文化遗产的保护工作。要使南昌采茶戏得到更好的保护与发展,使南昌采茶戏剧本更具吸引力,需要采用文献查阅法、抽样调查法、田野调查法、比较法等方法对南昌采茶戏词汇进行比较研究,从语言词汇的角度概括南昌采茶戏的词汇特性,展示其独特的艺术文化魅力。全文包括引言、正文和结语三个部分,引言部分主要介绍南昌采茶戏、研究现状、研究目的和意义、研究方法、语料来源和体例说明。正文部分从四个方面入手,首先,分别从语音与音节、语素、构词类型;基本词、核心词、特征词探讨南昌采茶戏词汇与南昌方言词汇的互动关系。其次,比较《方卿戏姑》新旧剧本的词汇,分析新旧剧本受欢迎的程度及影响剧本改编与创作的原因。再次,提炼出南昌采茶戏词汇特性。最后,分析南昌采茶戏的现状和困境,从语言学角度提出建议。结语部分梳理全文观点。通过横向比较可以看出南昌采茶戏词汇与南昌方言词汇在音节数量、语素上存在差异,在构词类型上差异较小,南昌采茶戏词汇很少使用南昌方言词汇中的叠音词,且读法大多介于南昌方言和普通话之间;南昌采茶戏词汇使用南昌基本词和核心词的次数多于南昌特征词。通过纵向比较可以看出南昌采茶戏剧本改编中减少了对南昌方言词的使用,且用词更加规范。进而得出南昌采茶戏词汇具有混合性、情景性、地域性、任意性、通俗性和本色性、合辙的特性。从词汇角度研究南昌采茶戏,扩大了研究的范围和领域,为南昌采茶戏全面发展提供了新的研究方向和角度,提倡保护和完善剧本,在剧本上创新,有选择性地使用方言词汇,培养有语言触觉的人才,有助于更好地保护和发展南昌采茶戏。
[Abstract]:Nanchang tea picking opera is the first opera to enter the national intangible cultural heritage catalogue. In accordance with the requirements of the Convention for the Protection of Intangible Cultural Heritage for the protection of intangible cultural heritage, we should take appropriate measures to effectively protect intangible cultural heritage. Publicize, respect and carry forward intangible cultural heritage. However, from the actual development of Nanchang tea picking drama, the public does not know enough about it. Up to now, the public's understanding of Nanchang tea picking drama has only stayed on the surface, such as introducing the historical source and development status of Nanchang tea picking drama, neglecting the necessity of studying Nanchang tea picking drama from a deep level, although there are some from music. The research on literature and art, but there is still a lack of research from the language aspect, and the linguistic features of the essence of Nanchang tea picking drama need to be further excavated. The reasons are internal and external. The internal reason is that the development of Nanchang tea picking drama itself can not be in line with the development speed of the social era, and the external reason is the impact of other cultures and the change of people's ideas. Neglecting the negative influence of Nanchang tea picking drama, reducing people's attention and research intensity to Nanchang tea picking drama, hindering the spread of Nanchang culture, and even affecting the protection of intangible cultural heritage. In order to better protect and develop Nanchang tea picking drama and make Nanchang tea picking play more attractive, it is necessary to use literature review method, sampling survey method, field investigation method, comparative method and other methods to make a comparative study on the vocabulary of Nanchang tea picking drama. From the point of view of language vocabulary, this paper summarizes the lexical characteristics of Nanchang tea picking drama and shows its unique artistic and cultural charm. The full text includes three parts: introduction, main body and conclusion. The introduction mainly introduces Nanchang tea picking drama, research status, research purpose and significance, research methods, corpus origin and style description. The main body starts from four aspects. First of all, it discusses the interactive relationship between Nanchang tea picking drama vocabulary and Nanchang dialect vocabulary from the aspects of pronunciation and syllable, morpheme, word formation type, basic words, core words and characteristic words. Secondly, by comparing the vocabulary of the new and old plays, this paper analyzes the popularity of the new and old plays and the reasons for their influence on the adaptation and creation of the plays. Thirdly, the lexical characteristics of Nanchang tea picking play are extracted. Finally, this paper analyzes the present situation and predicament of Nanchang tea picking drama, and puts forward some suggestions from the linguistic point of view. The conclusion part combs the full text viewpoint. Through horizontal comparison, we can see that there are differences in syllable number and morpheme between Nanchang tea picking drama vocabulary and Nanchang dialect vocabulary, but there is little difference in word formation type. Nanchang tea picking drama vocabulary rarely uses overlapping words in Nanchang dialect vocabulary. And most of the pronunciation is between Nanchang dialect and Putonghua. Nanchang tea picking drama vocabulary uses Nanchang basic words and core words more often than Nanchang characteristic words. Through longitudinal comparison, we can see that the use of Nanchang dialect words is reduced in the adaptation of Nanchang tea picking drama script, and the use of words is more standardized. Furthermore, it is concluded that the vocabulary of Nanchang tea picking drama has the characteristics of mixing, setting, regional, arbitrariness, universality and nature. The study of Nanchang tea picking drama from the lexical point of view expands the scope and field of research, provides a new research direction and angle for the all-round development of Nanchang tea picking drama, advocates the protection and perfection of script, innovates in script, and selectively uses dialect vocabulary. The cultivation of language tactile talents is helpful to better protect and develop Nanchang tea picking drama.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H175;H13

【相似文献】