《翻切简可篇》研究

发布时间：2019-06-18 19:47

【摘要】：《翻切简可篇》是清道光年间张燮承所作的一部韵书和韵图相配合的等韵化音学著作。该书承袭借鉴前代韵书的创制理念,并有一定发展和革新之举。很好地反映当时实际语音面貌的同时,也有泥古的一面,是研究近代音的重要材料。目前学术界对是书的研究甚少,因此有必要对该书做进一步地探讨和研究。本文从文献和语音两个角度出发,对《翻切简可篇》进行了全面、系统地梳理和分析。全文共分为四章,首先是绪论,对《翻切简可篇》一书的作者、写作过程、版本、体例、国内外的研究现状及研究方法等内容做了详细地介绍。第一、二、三章分别讨论了《翻切简可篇》的声、韵、调系统。该书共有十九个声母、四十八个韵母,阴平、阳平、上、去、入五个声调。其语音系统的特点主要表现为:声母方面,全浊声母清音化、知照合流、泥娘合流、非、敷、奉合并、零声母扩大;韵母方面,闭口韵消失、寒、桓、删、山韵合流、存在喉塞音尾韵、撮口呼韵及平、卷舌韵母;声调方面,平分阴阳、浊上变去、入声兼配阴阳。第四章探讨了《翻切简可篇》的音系基础。本文认为其音系基础是依据清代北方官话撰作。是书可为我们了解清代语音面貌提供重要参考,在汉语韵书史上的地位和价值不可忽视。
[Abstract]:In the Qing Dynasty, Zhang Xiecheng wrote an equal rhyme phonetics book and rhyme chart, which was written by Zhang Xiecheng during the Qing Dynasty. The book inherits the creation idea of drawing lessons from the previous generation rhyme book, and has the certain development and the innovation move. It reflects the actual phonetic appearance at that time, but also has the ancient side, which is an important material for the study of modern sound. At present, there is little research on the book in academic circles, so it is necessary to do further discussion and research on the book. From the point of view of literature and pronunciation, this paper makes a comprehensive and systematic analysis of the cutting of simple articles. The full text is divided into four chapters, the first is the introduction, the author, writing process, version, style, research status and research methods at home and abroad are introduced in detail. The first, second and third chapters discuss the sound, rhyme and tone system of cutting Jane. The book has 19 consonants, 48 vowels, Yin Ping, Yang Ping, go, enter five tones. The characteristics of its speech system are as follows: consonant aspect, all turbid consonant clear, Zhizhao consonant, mud Niang confluence, non, application, Feng merge, zero consonant expansion; vowel aspect, closed mouth rhyme disappear, cold, Huan, delete, mountain rhyme confluence, there is throat plug rhyme, match mouth rhyme and flat, roll tongue rhyme; tone aspect, divide yin and yang equally, change up, add sound and match yin and yang. The fourth chapter discusses the phonological basis of cutting Jane. This paper holds that its phonological basis is based on the Northern Mandarin of Qing Dynasty. It is a book that can provide an important reference for us to understand the phonetic appearance of Qing Dynasty, and its position and value in the history of Chinese rhyme can not be ignored.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H114.9

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