隐喻论:转义生成与视觉修辞分析
发布时间：2019-07-30 20:30
【摘要】：隐喻发生的基本原理是转义生成。作为人类思维的两种基本形式,隐喻和转喻对应的符号结构分别是聚合关系(paradigmatic relation)和组合关系(syntagmatic relation)。电影符号学者麦茨立足于拉康的精神分析传统,认为电影语言中隐喻和转喻的无意识工作原理分别是"凝缩"和"移置"。前者为了捕捉"真理的微光"而在隐喻轴上打开了一个巨大的想象空间,后者则在转喻轴上形成了"想象的能指"(imaginary signifier)。在视觉修辞的意义机制中,视觉隐喻依赖于视觉元素所构成的转喻结构,而且在图像文本的聚合轴上实现了隐喻意义的生产。我们可以根据本体与喻体的"在场"方式差异,将视觉隐喻的工作原理区分为构成性视觉隐喻和概念性视觉隐喻。
[Abstract]:The basic principle of metaphor generation is escape generation. As the two basic forms of human thinking, the symbolic structures corresponding to metaphor and metonymy are aggregate relation (paradigmatic relation) and combinatorial relation (syntagmatic relation)., respectively. Based on Lacan's tradition of psychoanalysis, Metz, a film symbolist, holds that the unconscious working principles of metaphor and metonymy in film language are "condensation" and "displacement", respectively. The former opened up a huge imagination space on the metaphorical axis in order to capture the "dim light of truth", while the latter formed the "imaginary signifier" (imaginary signifier). On the metaphorical axis. In the meaning mechanism of visual rhetoric, visual metaphor depends on the metonymy structure composed of visual elements, and realizes the production of metaphorical meaning on the aggregation axis of image text. According to the difference of "presence" mode between ontology and metaphor, we can divide the working principle of visual metaphor into constituent visual metaphor and conceptual visual metaphor.
【作者单位】： 暨南大学新闻与传播学院;武汉大学媒体发展研究中心;
【基金】：国家社会科学基金重大招标项目“视觉修辞的理论、方法与应用研究”(17ZDA290)
【分类号】：H05
，
本文编号：2521135
[Abstract]:The basic principle of metaphor generation is escape generation. As the two basic forms of human thinking, the symbolic structures corresponding to metaphor and metonymy are aggregate relation (paradigmatic relation) and combinatorial relation (syntagmatic relation)., respectively. Based on Lacan's tradition of psychoanalysis, Metz, a film symbolist, holds that the unconscious working principles of metaphor and metonymy in film language are "condensation" and "displacement", respectively. The former opened up a huge imagination space on the metaphorical axis in order to capture the "dim light of truth", while the latter formed the "imaginary signifier" (imaginary signifier). On the metaphorical axis. In the meaning mechanism of visual rhetoric, visual metaphor depends on the metonymy structure composed of visual elements, and realizes the production of metaphorical meaning on the aggregation axis of image text. According to the difference of "presence" mode between ontology and metaphor, we can divide the working principle of visual metaphor into constituent visual metaphor and conceptual visual metaphor.
【作者单位】： 暨南大学新闻与传播学院;武汉大学媒体发展研究中心;
【基金】：国家社会科学基金重大招标项目“视觉修辞的理论、方法与应用研究”(17ZDA290)
【分类号】：H05
，
本文编号：2521135
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