图像时代的文学镜像及其视觉归趋

发布时间：2018-01-04 02:23

本文关键词：图像时代的文学镜像及其视觉归趋　出处：《云南社会科学》2017年05期 　论文类型：期刊论文

【摘要】：语言文字和图像文化的应运而生之间有着无可回避的默契,从"图"到"文"的更迭和演进被视为历史文明的重要进程。这也要求研究者既要从语言艺术的本体论视角也要从文化社会学的立场上来展开对图像的有效阐释,尤其是要从当下的"文学图像化"的社会现状判断进入"文学图像论"的学理分擘和例证,而"语象"概念无疑为研究"文学图像"提供了重要的理论支持。此外,图像本体的阐释路径解构了传统艺术活动当中的固有平衡,图像日益成为一种习焉不察的虚假意识形态,并为人们的现实遭逢设置了种种想象性关系。图像所建构出来的真实谎言,也引起人们对"观看之道"的再度审视。
[Abstract]:There is an inescapable tacit understanding between language and image culture. From "Picture" to "text" The change and evolution of image is regarded as an important process of historical civilization, which requires researchers to interpret images effectively from the perspective of ontology of language and art as well as from the standpoint of cultural sociology. In particular, it is necessary to judge from the current social situation of "literary image" into the "literary image theory" of the academic branch and examples. The concept of "linguistic image" undoubtedly provides an important theoretical support for the study of "literary image". In addition, the interpretation path of image ontology deconstructs the inherent balance in the traditional artistic activities. Image is becoming a kind of false ideology, and it sets up all kinds of imaginative relationships for people's reality. It also causes people to re-examine the way of watching.
【作者单位】：阜阳师范学院文学院;华中师范大学文学院;西南大学文学院;《浙江工商大学学报》;
【基金】：国家社会科学基金青年项目“后现代空间美学的关键词研究”(项目号:15CZW003) 安徽省优秀青年人才重点基金(皖教人[2014]181) 安徽省人文社会科学重点项目“国家非遗传承人口述史”(项目号:SK2017A0304)的阶段性成果
【分类号】：I106;J05
【正文快照】： 一、从“语象”到“图像”:文学的视觉属性和审美演进语言文字和图像都是人类文明的记录载体,从羊皮卷、纸莎草记事以及后来的印刷术,语言叙事已成为文化思想传承的重要载体,山东大汶口文化陶器上的符码历来被视为华夏文字的雏形。而“图示”(ekphrasis)即为“图像造型的语

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