权力语境中《木鱼歌》身份杂糅研究

发布时间：2018-01-09 12:29

本文关键词：权力语境中《木鱼歌》身份杂糅研究　出处：《广东外语外贸大学》2016年硕士论文　论文类型：学位论文

【摘要】：继华裔美国先驱作家汤婷婷、谭恩美和任璧莲之后,林路德继续为华裔美国人著书立说,用赤诚之心感染着读者。在她的细致描述下,华裔美国人抛却了以往的龙女,陈查理和傅满洲等消极形象,而是有血有肉的历史人物。经历史考证,林路德将历史人物镶嵌进她的八部作品。借助福柯权力话语下的“圆形监狱”理念,本文第二章探讨金功中国伦理身份的丧失。金功先后失去了个体身份,家庭身份和家族身份,分别对应家人和族人控诉的三种不孝行:拒婚无后,抛弃家国,与敌为友。基于福柯权利话语理论,第三章剖析吕种族身份的缺失。白人通过空间隔离,体力压榨,时间积敛,政治文化双管齐下的方针,将吕在内的华裔美国人杜绝在外,使其成为美国社会上的流散者。结合霍米巴巴的杂糅理论,第四章探索吕金功的身份杂糅。通过非裔美国人的引导和自身的不懈努力,吕金功最终找到了属于自己的第三空间,明确了华裔美国人的身份。跨族婚姻吹响了身份杂糅的号角,而杂交金橘预示着身份杂糅的形成。通过探索吕金功的身份,本文最终得出结论:杂糅身份可以通过文化杂糅实现。文化之间存有第三空间:文化杂糅。文化杂糅能够缓解文化冲突,而帝国主义驱动下的文化杂糅需要平衡母国文化和主流文化,而不是抛却一方换取另一方的融入。经过反复融合,文化冲突将退居其次,文化交流找到第三空间,最终实现身份的杂糅。
[Abstract]:After Chinese-American pioneers Kingston, Amy Tan and Billian Ren, Lin Luther continued to write books for Chinese-Americans, infecting readers with a sincere heart. In her detailed description. Chinese Americans have renounced the negative images of Dragon Girl, Charlie Chen, and Fu Manchu, but they are historical figures with flesh and blood. Lin Luther inlaid historical characters into her eight works. With the help of Foucault's idea of "Round Prison" under the discourse of power, the second chapter discusses the loss of Chinese ethical identity of King Gong. King Gong has lost his personal identity one after another. Family identity and family identity, respectively, correspond to three kinds of unfilial behavior accused by family and people: refusing to marry, abandoning the family country, and making friends with the enemy, based on Foucault's discourse theory of right. The third chapter analyzes Lu's lack of racial identity. White people put out the Chinese Americans including Lu through the policy of space isolation, physical pressure, time accumulation, and political and cultural two-pronged approach. Make it become the diaspora of American society. Combined with HermiBaba's hybridity theory, 4th chapter explores Lu Jingong's identity hybridity. Through the guidance of African-American and their unremitting efforts. Lu finally found his own third space and clarified the identity of Chinese Americans. Interracial marriage sounded the trumpet of mixed identity. The hybrid kumquat indicates the formation of a mixture of identity. By exploring the identity of Lu Jingong. Finally, this paper concludes that the mixed identity can be achieved through cultural hybridity. There is a third space between cultures: cultural hybridity. Cultural hybridity can alleviate the cultural conflict. And the cultural hybrids driven by imperialism need to balance the home culture and mainstream culture, rather than giving up one side for the other's integration. After repeated integration, cultural conflict will be secondary. Cultural exchange finds the third space, and finally realizes the hybridity of identity.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I712.074

【相似文献】