论雨果小说艺术的戏剧化特征

发布时间：2018-01-14 20:21

本文关键词：论雨果小说艺术的戏剧化特征　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：维克多·雨果(Victor Hugo,1802-1885),十九世纪欧洲浪漫主义文学运动中的风云人物,最具代表性的浪漫主义文学大师,法国浪漫派的旗手与标志,在诗歌、戏剧、小说、散文等诸多方面,取得了辉煌成就。在小说创作方面,其五部重要作品《巴黎圣母院》(1831)《悲惨世界》(1862)《海上劳工》(1866)《笑面人》(1869)《九三年》(1874)等,不仅展示了波澜壮阔的社会历史图景,同时塑造出多种多样、丰满立体的人物典型,在表现社会黑暗和人性诡诈的同时,浸润着柔软祥和的人道主义与浑厚激昂的思想力度,以其宏大的艺术表现力和艺术感染力,成为世界文学史上灿烂而不朽的旗帜与典范。在其小说创作中,雨果将戏剧艺术手法灵活而准确地加以运用,使其小说具有独特的结构、曲折离奇的情节和恢弘的气势,呈现出强烈的戏剧化特征。论文分为绪论、三章和结语五部分:绪论部分主要是对雨果的文学地位和重要文学创作进行简要概述,并对国内外雨果研究现状进行归纳梳理,以此为切入点阐释论文选题的意义及创新点。第一章,对西方戏剧发展史进行简要概括,探讨戏剧艺术特征及小说戏剧化的艺术效果,同时从戏剧本身的发展历程入手,逐层深入地导入雨果的戏剧创作,并对其戏剧创作进行梳理和概括。作为戏剧大师,雨果在戏剧创作方面取得了辉煌成就,剧作《艾那尼》更是成为法国戏剧史上的重要转折,其戏剧作品创作体现出他对于戏剧创作手法的熟练掌握和灵活运用。第二章,主要归纳和阐释雨果小说创作中的戏剧化特征,包括小说结构布局的戏剧化、小说故事情节的戏剧化、小说人物形象塑造的戏剧化、小说语言尤其人物话语的戏剧化等四个方面的特征。此外,本章节将从整体和局部等角度,以《巴黎圣母院》《悲惨世界》等代表性小说著作为例,对雨果小说的戏剧化特征进行抽丝剥茧式地探讨和分析,力图对雨果小说创作的戏剧化特征予以深入探讨和全面展示。第三章,阐述雨果小说之戏剧化特征及其研究的意义。雨果小说创作的戏剧化特征,具有极强的系统性,是其自成体系的艺术世界,是其小说创作最为显著的艺术特征,这与雨果的文艺思想有着极为密切的联系。此部分从雨果小说戏剧化特征的本体论意义入手,揭示之于小说家创作的重要意义,并且说明雨果小说戏剧化特征与其美学思想之间的关系,以及其小说戏剧化特征研究的学术意义与价值等方面,探讨雨果小说创作戏剧化特征的由来,并阐述其对后世作家文学创作的指导和启发意义。结语部分,再次强调雨果小说艺术的戏剧化特征、艺术效果以及研究意义,对全文进行概括总结。
[Abstract]:Victor Hugo, Victor Hugo 1802-1885, was the most representative of the Romantic literature movement in Europe in 19th century. The flag and symbol of the French Romantic school, in poetry, drama, novel, prose and many other aspects, has made brilliant achievements, in the field of novel creation. His five important works "Notre Dame de Paris" (1831) "Les Miserables" (1862) "Labor at Sea" (1866) "laughing Man" (1869) (93 > No. 1874) etc. Not only showed the magnificent social and historical picture, but also created a variety of plump and three-dimensional characters, in the performance of social darkness and human deceit at the same time. With its great artistic expression and artistic appeal, it has become a splendid and immortal banner and model in the history of world literature. Hugo uses the dramatic art techniques flexibly and accurately, which makes his novels have a unique structure, twists and turns of the plot and grand momentum, showing a strong dramatic characteristics. The paper is divided into introduction. Three chapters and the conclusion five parts: the introduction part is mainly about Hugo's literature status and important literature creation, and summarizes and combs the domestic and foreign Hugo research present situation. The first chapter briefly summarizes the history of western drama development and discusses the artistic characteristics of drama and the artistic effect of drama. At the same time, starting with the development of drama itself, it leads into Hugo's drama creation layer by layer, and combs and generalizes his drama creation. As a drama master, Hugo has made brilliant achievements in the field of drama creation. The drama "Anani" has become an important turning point in the history of French drama. The creation of his dramatic works reflects his skillful mastery and flexible use of the techniques of drama creation. Chapter two. It mainly summarizes and explains the dramatic features of Hugo's novels, including the dramatization of the structure and layout of the novel, the dramatization of the story plot and the dramatization of the portrayal of the characters in the novel. In addition, this chapter will take the representative novels such as Notre Dame in Paris and Les Miserables as an example from the perspective of whole and part. The dramatic features of Hugo's novels are discussed and analyzed in the form of silk and cocoon, and the dramatization characteristics of Hugo's novels are deeply discussed and comprehensively displayed. Chapter three. This paper expounds the dramatic features of Hugo's novels and the significance of their research. The dramatic features of Hugo's novel creation are highly systematic, the artistic world of its own system, and the most prominent artistic features of its novel creation. This part starts with the ontological significance of the dramatization of Hugo's novel and reveals the important significance of the novelist's creation. It also explains the relationship between the dramatic features of Hugo's novels and his aesthetic thoughts, as well as the academic significance and value of the study on the dramatization characteristics of his novels, and probes into the origin of the dramatic features of Hugo's novel creation. The last part emphasizes the dramatic features, artistic effects and research significance of Hugo's novel art, and summarizes the full text.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I565.074

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