元漫画:评绘本小说《睡魔》对莎士比亚的重构

发布时间：2018-01-17 14:19

  本文关键词：元漫画:评绘本小说《睡魔》对莎士比亚的重构　出处：《外语教学》2016年03期 　论文类型：期刊论文

  更多相关文章： 尼尔·盖曼 《睡魔》 绘本小说 元漫画 莎士比亚

【摘要】：尼尔·盖曼在其史诗级绘本小说《睡魔》中,以一种元小说评论式的漫画想象对莎士比亚生平史实与戏剧创作过程进行再创作,以绘本小说跨媒介指涉产生的双重互文,将莎士比亚及其剧作同时置于历史事实与虚幻梦境中,从而消解了真实与虚构之间的界限,实现了对经典符号化的莎士比亚的浮士德式"变形改写",通过对剧作家本人亦虚亦实的书写,从而进一步探讨莎士比亚及其剧作作为永恒的文化符号所折射出的哲学思考。
[Abstract]:In his epic picture book, the Sleeper, Neil Gaiman rewrote Shakespeare's historical facts and dramatic creation with a metafiction of comic imagination. The double intertextuality produced by the cross-media intertextuality of picture book novels puts Shakespeare and his plays in both historical facts and illusory dreams, thus dissolving the boundary between reality and fiction. Realized the classical symbolization of Shakespeare's Faustian "deformation rewriting", through the playwright himself is also fictitious and real writing. Thus, the philosophical reflection reflected by Shakespeare and his plays as eternal cultural symbols is further discussed.
【作者单位】： 北京科技大学外国语学院;
【分类号】：I712.074
【正文快照】： 1.引言Richard Rorty把哲学史划分为一系列的“转向”(Mitchell 1994:11),继“语言学转向”后,W.J.T.Mitch-ell又提出了“图像转向”(pictorial turn),作为一个“后语言学、后符号学时代对图像作为视觉、国家机器、话语、身体之间复杂的交互作用的重新发现,是将“观看”(spect，

本文编号：1436609