阿列克西耶维奇的纪实小说叙事艺术

发布时间：2018-01-23 19:48

本文关键词： 阿列克西耶维奇诺贝尔文学奖口述小说声音纪实审美张力　出处：《学术研究》2016年11期 　论文类型：期刊论文

【摘要】：白俄罗斯2015年诺贝尔文学奖得主阿列克西耶维奇以倾听者角色用"第三只眼"完成了关于历史题材的宏大叙事,其口述纪实小说毫无刻意雕饰藻绘,通过声音纪实原生态的方式呈现了俄罗斯政权现当代不同史程中的恶之花。小说文本诸多对比元素铸就了超强的审美震撼力,作品中审美客体通过各种对立关系相互抗衡、映衬和阐释,接受主体在多重声音、观念、画面的刺激下形成了复杂的立体式审美感受。从审美经验构成的审美感知、想象、情感、理解四要素观之,阿列克西耶维奇口述小说的审美张力具体体现为:场景反差与审美感知、比拟反差与审美想象、人性反差与审美情感、时空反差与审美理解四重审美效果。
[Abstract]:In 2015, Oleksiy Yevich, the Nobel Prize winner in literature of Belarus, used the third Eye to complete the grand narration of the historical theme with the role of a listener, and his oral documentary novel was not deliberately carved and painted. Through the sound record of the original ecological way to present the Russian regime in the modern and contemporary history of evil flowers. The text of the novel many elements of contrast created a strong aesthetic shock. In the works, the aesthetic object competes with each other through various antagonistic relations, sets off and interprets, accepts the subject in the multi-voice, the idea. Under the stimulus of the picture, a complex three-dimensional aesthetic feeling is formed. From the aesthetic experience of aesthetic perception, imagination, emotion, understanding of the four elements of the view. The aesthetic tension of Oleksiy Yeevich's oral novels is embodied in the following four aspects: scene contrast and aesthetic perception, comparative contrast and aesthetic imagination, human nature contrast and aesthetic emotion, space-time contrast and aesthetic understanding.
【作者单位】：吉林师范大学博达学院科研处;吉林大学公共外语教育学院;吉林大学文学院;
【基金】：国家留学基金管理委员会资助项目“美国文学研究”(CSC97822032) 吉林省社会科学基金“十八大”重点项目“文学的文化软实力研究”(2013A04) 吉林省高教学会2016年重点课题“诺贝尔文学视域下的高校文学教学发展研究”(JGJX2016B30)的阶段性成果
【分类号】：I511.407.4
【正文快照】： 斯维特兰娜·阿列克西耶维奇(СветланаАлексиевич,1948—,以下简称阿氏)2015年登上“文学奥运”的最高领奖台。德国出版商与书商协会于2013年为其授予德国书业和平奖时曾称她“创造了一个将在全世界得到回响的文学门类,必将掀起证人与证词涌现的浪潮”。[1]

【相似文献】