曹文轩与安徒生儿童文学的悲剧意识比较研究

发布时间：2018-02-23 18:40

本文关键词： 曹文轩安徒生童话悲剧意识人性美儿童文学　出处：《延边大学》2017年硕士论文　论文类型：学位论文

【摘要】：安徒生被世人称为"世界童话之王",1913年周作人把他的作品第一次介绍到中国以来,一直受到广大读者和儿童作家的关注和喜爱。曹文轩是北京大学中文系的教授,著名的中国儿童文学作家,其作品《红瓦》、《草房子》等儿童文学作品荣获了 2016年度的"国际安徒生奖",深受读者和研究者的广泛关注。曹文轩非常推崇和欣赏安徒生的艺术品质,安徒生和曹文轩的儿童文学作品,在创作风格和创作理念等方面,具有相似或契合之处,具有可比性。但是,由于两人所处的社会背景和所受传统文化的不同,他们的作品中所体现的悲剧意识既有相同之处,也有不同的表现形式。本文采用比较文学影响研究和平行研究的方法,在解读和理解《草房子》、《红瓦》和《安徒生童话》等作品的基础上,从安徒生和曹文轩两位作家的人生经历、作品中的悲剧意识、艺术手法等方面进行比较分析,探讨了悲剧意识的异同及产生这种差异的原因。本文共分四部分内容,首先,在绪论部分比较详细地阐述了国内外研究现状,论文的研究目的和意义,以及研究方法。其次,论述了安徒生童话对曹文轩儿童文学作品的影响,主要从现实意义和创作上的艺术表现等两个方面论述了相似性。第三,对两位作家作品中的悲剧意识进行比较分析,主要从作品中人物形象、诗意语言及诙谐幽默的表达方式等三个方面进行比较,分析了二者的异同点。第四,通过对文化社会背景、群体意识与个体意识、审美意识等的论述,分析了产生不同悲剧意识的原因。通过比较分析本文认为,曹文轩儿童文学作品中的古典悲剧美和创作风格,是中国传统文化民族心理和西方古典悲剧美学相互融合的产物,尤其是安徒生童话中的古典悲剧美,在曹文轩儿童文学作品中表现的极为突出。安徒生和曹文轩两位作家的儿童文学作品中所体现的悲剧意识,具有学术价值和现实意义,本文对曹文轩与安徒生儿童文学的深入理解和研究,具有抛砖引玉之功效。
[Abstract]:Andersen is known as the "King of World Fairy Tales". Since Zhou Zuoren first introduced his works to China in 1913, he has been concerned and loved by readers and children's writers. Cao Wenxuan is a professor of Chinese literature at Peking University. The famous writer of children's literature in China, His works, such as "red tile" and "grass house", won the "International Andersen Prize" in 2016. Cao Wenxuan highly admired and appreciated Andersen's artistic quality. The children's literature works of Andersen and Cao Wenxuan have similarities or similarities in the aspects of creation style and creative idea. However, due to the difference of their social background and traditional culture, The tragic consciousness embodied in their works has some similarities as well as different forms of expression. This paper adopts the methods of comparative literature influence study and parallel study. On the basis of the interpretation and understanding of the works such as House of Grass, Red tiles and Andersen's Fairy Tales, this paper makes a comparative analysis of the life experiences, tragic consciousness and artistic techniques of Andersen and Cao Wenxuan. This paper discusses the similarities and differences of tragic consciousness and the reasons for the difference. Firstly, in the introduction part, the author elaborates the current research situation, the purpose and significance of the research, and the research methods. This paper discusses the influence of Andersen's fairy tales on Cao Wenxuan's children's literature works, and mainly discusses the similarities from two aspects, such as realistic significance and artistic expression in creation. Thirdly, it makes a comparative analysis of the tragic consciousness in the works of the two writers. This paper mainly compares the characters, poetic language and humorous expressions in the works, and analyzes their similarities and differences. 4th, through the discussion of the cultural and social background, group consciousness and individual consciousness, aesthetic consciousness, etc. This paper analyzes the causes of different tragic consciousness. Through comparative analysis, the author thinks that the classical tragic beauty and creation style in Cao Wenxuan's children's literature works are the product of the fusion of the national psychology of Chinese traditional culture and the western classical tragic aesthetics. In particular, the classical tragic beauty in Andersen's fairy tales is very prominent in Cao Wenxuan's children's literature works. The tragic consciousness embodied in the children's literature works of Andersen and Cao Wenxuan has academic value and practical significance. This paper studies the children's literature of Cao Wenxuan and Andersen.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I106.8-03

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