闵安琪《红杜鹃》中的“文革”书写

发布时间：2018-02-24 03:31

本文关键词： 闵安琪《红杜鹃》现代性 “文革”书写普适主题　出处：《华文文学》2017年05期 　论文类型：期刊论文

【摘要】：从启蒙现代性的角度来看,美华作家闵安琪《红杜鹃》中的"文革"书写是作家在西方语境下,从叙事者的主体性、行政系统对私人领域的入侵和人性解放的"解放叙事"等方面用普遍人性和民主自由等"现代性"普适价值观反观"文革"时期的中国,是一种隐蔽和深层的自我东方化书写。首先,作家通过叙事者的选择和抗争凸显其主体意识和工具理性精神;其次,作家通过"蚊帐"和"芦苇荡"等幽闭意象折射出行政系统对私人领域的殖民;最后,作家遵循"受苦——抗争——救赎"的叙事范式,肯定理性和自由的价值,有着主题性、连惯性、统一性,是一种关于人性解放的"现代性"元叙事。《红杜鹃》通过"文革"书写所探讨的自由和人性等主题有明显意识形态色彩,并非真正意义上的普适主题。
[Abstract]:From the perspective of enlightening modernity, the writing of the Cultural Revolution in Min Anqi's "Red Rhododendron" is the writer's subjectivity in the western context from the perspective of narrator. The administrative system's invasion of the private sphere and the emancipation narration of human nature, and so on, use the universal values of "modernity" such as universal humanity and democratic freedom to view China during the "Cultural Revolution". It is a kind of hidden and deep self-orienting writing. Firstly, through the choice and struggle of narrator, the writer highlights his subjective consciousness and instrumental rational spirit. Through the claustrophobic images such as "mosquito net" and "Reed swing", the writer reflects the colonization of the private sphere by the administrative system. Finally, the writer follows the narrative paradigm of "suffering-resistance-redemption" and affirms the value of reason and freedom. Even inertia and unity is a kind of "modernity" meta-narrative about the liberation of human nature. The themes of freedom and humanity discussed in the writing of the "Cultural Revolution" by the Red Rhododendron have obvious ideological color and are not the universal theme in the true sense.
【作者单位】：南京大学外国语学院;中国矿业大学外文学院;
【基金】：2016年江苏省高校哲学社会科学基金资助项目“美国华人新移民英语文学中的‘越界’现象研究”(2016SJD750036)
【分类号】：I712.074

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