川端康成中间小说研究

发布时间：2018-03-12 21:24

本文选题：川端康成　切入点：中间小说　出处：《曲阜师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：川端康成是日本现代著名作家,日本第一位诺贝尔文学奖获得者。川端康成创作的包括《雪国》《古都》《千鹤》三部小说在内的纯文学作品产生了广泛的影响,同时他的中间小说也取得了非常高的文学成就。川端的中间小说与第二次世界大战有千丝万缕的联系,再现了战后日本的社会变化。战争使得日本经济遭到严重破坏,战后日本的政治体制发生了巨大的变革,西式生活方式在日本国内成为主流,日本的女性意识开始觉醒,然而女性处境依然不容乐观。川端的中间小说也深刻地描绘了战后日本国民的心灵现实。作家塑造了蛮横的美国占领军的形象以及自尊的战败国日本的形象,表明在被占领时代,日本人不应丧失民族自尊。尽管战后日本恢复困难重重,但是日本人民要有新生的决心与勇气,从日本的传统艺术之美中找到新生的信心与力量,并希望借基督教的宽恕与博爱来净化心灵。川端康成的中间小说塑造了许多个性鲜明的人物形象。这些形象包括三种类型:少女形象、母亲形象、男性长者形象。少女形象中的完美型少女因为战争而命途多舛,问题型少女因为战争而成为病态,作家借此控诉了罪恶的战争。面对战争,坚强的母亲形象身上寄寓着作家的希望。川端塑造的男性长者形象尤为成功,他们身上有作家本人的影子,内心充溢着战败的忧伤,心忧天下,是慈爱的化身。同时这些长者形象也是作家按照日本“意气”美学刻画的成功的人物形象。川端康成的中间小说继承了日本传统的“物哀”美学理想。川端的中间小说是人生垂暮与死亡残酷的悲歌,关于年老与死亡这种客观存在的事物的哀伤是具有普遍性的;川端的中间小说亦是命途多舛与爱情悲剧的殇歌,川端描摹了各种各样的爱情悲剧,乱伦之爱、婚外恋、“厄勒克特拉情结”、无果的暗恋,这些爱恋超越了道德,毋宁说唯有背德的爱才更刻骨铭心,是污泥浊水盛开出的美丽的“物哀”之花;川端的中间小说又是人世无常与美丽女性毁灭的哀歌,美好事物的毁灭展现的是美的脆弱性的特质,唯有悲哀才更具有审美价值。
[Abstract]:Kawabata Yasunari is a famous modern Japanese writer and the first Nobel Prize winner in literature. Kawabata Yasunari's pure literary works, including three novels, including "Snow State", "Ancient Capital" and "Qianhe", have had a wide influence. At the same time, his intermediate novels also made very high literary achievements. Kawabata's intermediate novels were inextricably linked to the second World War, which reproduced the social changes in postwar Japan. The Japanese economy was seriously damaged by the war. After the war, great changes took place in Japan's political system, the western-style way of life became the mainstream in Japan, and Japan's female consciousness began to awaken. However, the situation of women is still not optimistic. Kawabata's intermediate novels also depict the spiritual reality of the Japanese people after the war. It shows that in the era of occupation, the Japanese should not lose their national self-esteem. In spite of the difficulties encountered in Japan's recovery after the war, the Japanese people should have the determination and courage to renew their lives and find new confidence and strength from the beauty of Japan's traditional art, He hopes to purify his soul by Christian forgiveness and fraternity. Kawabata Yasunari's intermediate novels have created many distinctive characters. These images include three types: the image of a young girl, the image of a mother, Male elder image. The perfect girl in the girl image is ill-fated because of the war, the problem girl becomes sick because of the war, the writer accuses the evil war in this way. Facing the war, The image of a strong mother embodies the hope of a writer. The image of the male elder created by Kawabata is particularly successful. They have the shadow of the writer himself, and his heart is filled with grief of defeat and worry about the world. It is the embodiment of love. At the same time, these elder figures are successful characters depicted by writers according to Japanese "spirit" aesthetics. Kawabata Yasunari's intermediate novels inherit the traditional Japanese aesthetic ideal of "object mourning". The novel is a sad song of life and death. The sorrow about the objective existence of old age and death is universal; the middle novel of Chuanduan is also a sad song of many misfortunes and love tragedies, depicting all kinds of love tragedies, incest love, Extramarital love, "Erlectra complex", fruitless secret love, these love beyond morality, or rather than the love of virtue is more engraved, is the dirty water blooming out of the beautiful "thing sad" flower; Chuanduan's intermediate novel is also a lamentation of the impermanence of the world and the destruction of beautiful women. The destruction of beautiful things shows the fragile nature of beauty, and only sorrow has more aesthetic value.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.074

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