历史语境下的日本“国风”

发布时间：2018-03-22 16:34

本文选题：国风　切入点：日本　出处：《厦门大学学报(哲学社会科学版)》2016年02期 　论文类型：期刊论文

【摘要】：日本历史上的"国风"概念,经历了一个漫长的演变过程。自最初的歌谣,到以"国文学"为核心的文学性的自觉,再转变为以日本为主体的文化性概念,接着转变为与中国相对立的、突出日本特性的民族概念,最后则转变为强调日本的优越性乃至绝对服从天皇和国家,为军国主义服务的"皇国臣民之道"。这样一个历史语境下的"国风"概念的变迁与转向,成为我们了解日本文学的内在脉络、理清日本文化的潜在线索、确定日本民族的思维模式、探索日本这一国家内涵的重要契机。与此同时,这一概念亦是在一个"中国·日本"的紧张关系下得以形成的,且带有一种通过自身与文明母国、或者说文化他者的中国相互竞争、相互对抗,由此来谋求自身的独立性与独特性的深层意象。
[Abstract]:The concept of "national style" in Japanese history has undergone a long process of evolution. From the initial ballad to the consciousness of literariness with "national literature" as the core, the concept of "national style" has been transformed into a cultural concept with Japan as the main body. Then it changed into a national concept that stood out against China and highlighted Japan's identity. Finally, it changed to emphasizing Japan's superiority and even its absolute obedience from the emperor and the state. The change and turn of the concept of "national style" in such a historical context has become the internal thread of our understanding of Japanese literature and the potential clues of Japanese culture. An important opportunity to determine the mode of thinking of the Japanese nation and to explore the connotation of this country. At the same time, this concept was also formed under the tense relations of "China and Japan," and with a kind of home country through itself and civilization. In other words, the cultural other's China competes with each other and confronts each other, thus seeking the deep image of its own independence and uniqueness.
【作者单位】：厦门大学外文学院;
【基金】：福建省社科基金青年项目“历史语境下的日本‘国风’研究”(FJ2015C177) 国家社科基金一般项目“现代日本学者想象与重构中国形象的研究”(15BWW022)
【分类号】：I313.06

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