王尔德唯美主义艺术实践—从童话到戏剧

发布时间：2018-04-07 00:22

本文选题：王尔德　切入点：唯美主义　出处：《内蒙古师范大学》2016年硕士论文

【摘要】：王尔德作为19世纪唯美主义集大成者,他的作品的种类繁多,作品相对较少。他在创作初期主要以批评和童话为主,后来专攻小说和戏剧。作为唯美主义的代表,王尔德对英国文学有着不可忽略的影响。他试图将艺术与道德分离开来,并将这个原则贯穿到自己的作品当中。但是他的许多作品有意或无意与自己的文艺理论发生冲突。这不仅表现在理论方法,实践方面尤其明显。王尔德在作品中试图创造出与道德、生活无关的纯美艺术形象。但最后主人公必定受到道德制裁或自动走上毁灭的道路,以表示自己追求纯美艺术的决心。王尔德的作品并没有忽视现实问题,反而对现实抱有批判的态度,与道德有着相应的关系。他的艺术理论与艺术实践相互矛盾。本文主要以绪言、正文和结语三个部分来探讨了王尔德的唯美主义原则和艺术实践。绪言部分主要论述了选题原因、研究状况及研究方法。正文以三个部分来阐述了王尔德的唯美主义特点及其艺术实践。第一章,以童话为主,分析了童话超越了艺术不关心现实、不关心道德的范畴。第二章,以小说《道连·格雷的画像》为主,解析了小说中所表现的精神与道德之间的矛盾性。第三章,以戏剧《莎乐美》为主,分析了剧中所追求的感官和视觉上的美、非理性的肉欲崇拜以及莎乐美身上所体现的女性思想特征。结语部分主要总结了王尔德的童话、小说《道连·格雷的画像》、戏剧《莎乐美》中体现的王尔德唯美主义艺术实践的特点。
[Abstract]:Wang Erde, as a 19 th century aesthetician, has a great variety of works, but his works are relatively few.At the beginning of his writing, he mainly focused on criticism and fairy tales, and later specialized in novels and plays.As the representative of aestheticism, Wang Erde has a great influence on English literature.He tried to separate art from morality and to incorporate this principle into his works.However, many of his works intentionally or unintentionally conflict with his literary theory.This is manifested not only in theory and method, but also in practice.Wang Erde tries to create a pure artistic image which has nothing to do with morality and life.But in the end, the protagonist must be subjected to moral sanction or automatically embark on the road of destruction to express his determination to pursue pure art.Wang Erde's works do not ignore the practical problems, but have a critical attitude towards reality and have a corresponding relationship with morality.His art theory and practice contradict each other.This paper mainly discusses Wang Erde's aestheticism principle and art practice in three parts: introduction, text and conclusion.The preface mainly discusses the reason, the research situation and the research method.The text expounds Wang Erde's aestheticism and its artistic practice in three parts.In the first chapter, the author analyzes that fairy tales transcend the category of art not caring about reality and morality.In the second chapter, the author analyzes the contradiction between spirit and morality in the novel the Portrait of Dorian Gray.In the third chapter, the author analyzes the sensual and visual beauty, the irrational lust worship and the female thought characteristic of Salome in the drama Salome.The conclusion mainly summarizes Wang Erde's fairy tales, the novel Dorian Gray's Portrait, and the characteristics of the aestheticism art practice of Wang Erde embodied in the drama Salome.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I562.06

【相似文献】