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《第一圈》的复调叙事研究

发布时间:2018-04-09 20:25

  本文选题:索尔仁尼琴 切入点:复调 出处:《北京第二外国语学院》2017年硕士论文


【摘要】:索尔仁尼琴是俄罗斯文学的一位巨匠,国内外对他的研究颇多,然而这些研究大多集中于思想主题和意识形态层面,对其创作手法的分析十分有限。然而实际上,索尔仁尼琴在创作中展现出的独特而巧妙的艺术手法是十分值得探讨的。因此,本文将从复调理论出发,对索尔仁尼琴《第一圈》中的叙事策略进行分析。本论文以复调理论为依据,运用文本细读,理论研读,文献分析等研究方法,以索尔仁尼琴的长篇小说《第一圈》为研究对象,从小说人物、时空、结构及语言四个维度综合分析《第一圈》的复调叙事特征,并试图从中挖掘索尔仁尼琴对历史和道德的深刻思考。本论文由前言、正文四章和结束语六部分组成。前言部分主要对国内外索尔仁尼琴及其作品的研究状况做了简要介绍,并阐述了复调小说理论和《第一圈》之间的关联。第一章“《第一圈》中人物的自我意识”分别从受难者和施刑者两个角度出发,分析人物对世界以及对自我的特殊看法。通过对人物自我意识的充分展现,表露作者出对生命主体的肯定和尊重。第二章“《第一圈》中的狂欢化时空”从时间和空间两个方面进行阐释,对小说中高度浓缩的紧凑时空进行分析。狂欢化的时空为不同思想的共存与互动提供了可能,让众多不同的声音得以充分的展现。第三章“《第一圈》中的对位结构”研究了小说中的故事线索对位和人物结构对位。小说结构的各个成分之间都渗透着对话的关系,对位结构构成了小说的大型对话,为小说赋予了一种开放性和未完成性的特征。第四章“《第一圈》中的双声语”分析了小说中的暗辩体和讽拟体,这两种语言类型都属于包含两种及两种以上声音的双声语。双声语的运用让小说的语言内部之间充满了对话,构成了小说的微型对话。论文的结语对《第一圈》中的复调叙事手法做了概括总结,并阐述了复调的叙事手法与索尔仁尼琴书写真相的文学使命之间的契合。
[Abstract]:Solzhenitsyn is a great master of Russian literature. There are a lot of studies on him at home and abroad. However, most of these studies focus on the ideological and ideological aspects, and the analysis of his creative techniques is very limited.In fact, Solzhenitsyn's unique and ingenious artistic techniques are worth exploring.Therefore, this paper will analyze the narrative strategies in Solzhenitsyn the first Circle from the polyphonic theory.On the basis of polyphonic theory, this paper uses the methods of text reading, theoretical study, literature analysis, and takes Solzhenitsyn's novel "the first Circle" as the research object, from the novel characters, time and space.The four dimensions of structure and language comprehensively analyze the polyphonic narrative characteristics of the first Circle and try to dig out Solzhenitsyn's profound thinking on history and morality.This thesis consists of preface, four chapters and conclusion.The preface mainly introduces the research situation of Solzhenitsyn and his works at home and abroad, and expounds the relationship between the theory of polyphonic novel and the first Circle.The first chapter, "the self-consciousness of the characters in the first circle", analyzes the characters' special views on the world and themselves from the perspectives of the victims and the torturers respectively.Through the full display of the self-consciousness of the characters, the author shows his affirmation and respect for the subject of life.Chapter two, "Carnival time and Space in the first Circle", analyzes the compact space-time which is highly concentrated in the novel from the two aspects of time and space.The carnival space-time provides the possibility for the coexistence and interaction of different thoughts, and makes many different voices fully manifest.Chapter three, "the structure of the first Circle", studies the story clue and character structure in the novel.The relationship between each component of the structure of the novel is permeated with dialogue. The opposite structure constitutes the large-scale dialogue of the novel, which endows the novel with an open and incomplete character.Chapter four, "double speech in the first Circle", analyzes the dark and ironic paraphrase in the novel. These two language types belong to two or more kinds of voices.The use of duals fills the language of the novel with dialogue and constitutes the miniature dialogue of the novel.The conclusion of the paper summarizes the polyphonic narrative techniques in the first Circle and expounds the correspondence between the polyphonic narrative techniques and Solzhenitsyn's mission of writing truth.
【学位授予单位】:北京第二外国语学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I512.074

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5 龙瑜[,

本文编号:1728006


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